Rentals

Below is a partial list of our rental inventory. Hollywood Sound Systems has one of the largest pro audio rental selections in the Los Angeles region, including new and vintage audio equipment, microphones, PA and monitor speaker systems, mixers, record and playback equipment, wireless microphones, press bridges and splitters, converters, power amplifiers, studio monitors, DSP, surround sound, communication packages, preamplifiers, ENG and field equipment, and much more.

Weekly and monthly rates are available. Call a rental agent today with questions or to inquire about products not listed here.

Please note!

You can SEARCH this page using the find feature of your browser. Use the keyboard shortcut Ctrl + F (Command + F on an Apple computer) or from your browser's dropdown menu.

Digital Mixers

imgres.jpg

BEHRINGER X32 DIGITAL MIXER

The Behringer X32 40-Channel 25-Bus Digital Mixing Console features 32 programmable MIDAS Preamps in a compact design that is ideal for professional live and recording applications.

SD8.jpg

DiGiCo SD8

The Digico SD8 Digital Mixer provides 60 Mono or Stereo Input Channels and 24 Mono or Stereo Output Busses, 2 Solo Busses, 12 x 12 Matrix with separate output busses, and touchscreen operation.

imgres.jpg

Yamaha CL5 Digital Mixing Console

The Yamaha CL5 Digital Mixing Console features 72 mono + 8 stereo mixable channels with 64 channels from Dante, 32 Faders + 2 Master Faders, and is designed for use with RIO32224-D and RIO1608-D.

imgres.jpg

YAMAHA QL5 DIGITAL MIXING CONSOLE

The Yamaha QL5 Digital Mixer is a compact console with large-scale capabilities including 64 mono + 8 stereo mix channels with 32 input + 2 Master faders and built-in Dante networking.

imgres.jpg

YAMAHA PM5D DIGITAL MIXING CONSOLE

The Yamaha PM5D Digital Mixing Console has become a standard for FOH digital live mixing with 48 mono + 4 Stereo inputs + 4 Effect Returns and Stereo A/B + 24 Mix + 8 Matrix outputs; 8 Stereo Effect Processors, 12 Graphic EQs, Event Automation.

imgres.jpg

YAMAHA M7CL-48 DIGITAL MIXING CONSOLE

The Yamaha M7CL-48 Digital Mixing Console features an innovative Centralogic Control Interface and 48 Mono + 4 Stereo inputs with 16 Mix + 8 Matrix, 16 Omni outputs, 3 MY-card slots, and Touchscreen.

Yamaha DM2000.jpg

YAMAHA DM2000 DIGITAL PRODUCTION CONSOLE

The Yamaha DM2000 Digital Production Console is 5.1 capable w/downmix and full PROTOOLS interface (HUI standard) and offers 96 channels + 24 analog in with 8 buss and 12 aux, 4 stereo outs, 8 onboard effects, and full timecode automation.

images.jpg

YAMAHA LS9-32 DIGITAL MIXING CONSOLE

The Yamaha LS9-32 Digital Mixing Console offers 64 Mono + 4 Stereo inputs with 32 onboard Mix Preamps and Stereo + Mono/LCR, 16 Mix + 8 Matrix; 16 Omni outputs, 2 MY-card slots, 4 Stereo Effect Processors.

imgres.jpg

YAMAHA LS9-16 DIGITAL MIXING CONSOLE

The Yamaha LS9-16 Digital Mixing Console provides 32 Mono + 4 Stereo inputs and 16 onboard Mic Preamps with 16 Mix + 8 Matrix; 8 Omni outputs, 4 Stereo Effects Processors, and 1 MY-card slot.

imgres.jpg

YAMAHA 01V96 DIGITAL MIXER

The Yamaha 01V96 Digital Mixer offers large mixing console capabilities in a smaller format featuring up to 40 channels of simultaneous mixing and 8 group/8 AUX configuration, ADAT I/O included; the rear panel has an expansion slot which will accept a wide range of Yamaha mini-YGDAI expansion cards.

Stage Boxes

Whirlwind Concert 52X3.jpg

Whirlwind Concert series W4 / MASS 52X3

52 X3 40 in, 12 return, stage box style splitter with 1 direct and 2 iso splits using MASS W4

RADIAL 48x10 2 Way Mass Splitter.jpg

RADIAL 48X10 2 WAY MASS SPLITTER

48X10 2 Way Splitter

RADIAL 56x0+2 Mass Splitter.jpg

Radial 56X0 2 Way Mass Splitter

Radial 56X0 2 Way Mass Splitter

imgres.jpg

DiGiCo MADI Rack

56 inputs x 24 outputs, MADI I/O, controllable headamps. (included with DiGiCo SD8 rental)

imgres.jpg

Yamaha RIO3224-D

32 mic/line inputs, 16 analog outputs, 4 Stereo AES/EBU outputs, 44.1/48/88.2/96kHz Dante™ digital network remote I/O unit. Rotary dial and dip switches for easy Rio ID set up. Remote controllable HA, +48V Phantom Power, HPF, 2 EtherCon® connectors. 5U Rackspaces.

imgres.jpg

Yamaha RIO1608-D

16 mic/line inputs, 8 analog outputs, 44.1/48/88.2/96kHz Dante™ digital network remote I/O unit. Rotary dial and dip switches for easy Rio ID set up. Remote controllable HA, +48v Phantom Power, HPF, 2 EtherCon® connectors. 3U Rackspaces.

imgres.png

Yamaha RI8-D

8 mic/line inputs, 44.1/48/88.2/96kHz Dante™ digital network remote input unit. Rotary dial and dip switches for easy Rio ID set up. Remote controllable HA, +48v. Phantom Power, HPF, 2 RJ45 and 8 XLF-F connectors. 1U Rackspace.

imgres.jpg

Yamaha RO8-D

8 analog outputs, 44.1/48/88.2/96kHz Dante™ digital network remote output unit. Rotary dial and dip switches for easy Rio ID setup. 2 RJ45 and 8 XLR-M connectors. 1U Rackspace.

Analog, Powered, & Field Mixers

imgres.jpg

Mackie Onyx 1640

Mackie 16-channel mixer with Onyx preamps, 4 mix busses, stereo output, 6 aux sends, and firewire output.

imgres.jpg

Mackie 1604-VLZ PRO

Mackie 16-channel pro compact mixer - 16 inputs, 4 mix busses, 6 aux sends, and stereo output.

imgres.jpg

Mackie 1402-VLZ PRO

Mackie 14-channel pro compact mixer features 14 inputs, 2 aux outputs, and stereo out.

imgres.jpg

Mackie 1202-VLZ PRO

Mackie 12-channel pro compact mixer - features 2 aux sends and stereo out.

imgres.jpg

Yamaha MG10/2 Stereo Mixing Console

The Yamaha MG10/2 has 10 inputs - 2 aux sends and stereo out.

imgres.jpg

Yamaha EMX5014C Powered Mixer

Yamaha 14-channel stereo powered mixer, with SPX DSP built in, and 500 watts per channel.

imgres.jpg

Yamaha EMX512SC Powered Mixer

Yamaha 12-channel stereo powered mixer with dual 500W amps, built in EFX, and Graphic EQs.

imgres.jpg

Rolls MX124 ProMixIV

Rolls portable mixer features 4 microphone inputs with phantom power and transformer balanced stereo outputs, battery powered or AC power supply.

imgres.jpg

Shure FP33 3-Channel Stereo Mixer

Shure 3-channel stereo mixer with 3 transformer balanced mic or line inputs, your choice of phantom power, and transformer balanced stereo mic or line outputs. Battery powered.

imgres.jpg

Shure FP24 2-Channel Stereo Mixer

Shure 2-channel stereo field mixer with 2 transformer balanced inputs, phantom power. Battery powered.

PA / Monitor Speakers

Dynacord Cobra 2 array.jpg

DYNACORD COBRA-2 LOUDSPEAKER SYSTEM

The Dynacord Cobra-2 9600 watt stereo stackable line array system includes speakers, amps, and cable; 120° x 14°.

imgres.jpg

APOGEE AE-5 PA SPEAKER SYSTEM

The Apogee AE-5 is a 2-way bi-amped arrayable 12” loudspeaker system; 125dB SPL, trapezoid, 90°H x 45°V.

imgres.jpg

ELECTRO-VOICE SX300 PA SPEAKER SYSTEM

The EV Sx300 is a 300 watt 12” 2-way high-efficiency compact PA speaker system; 100dB SPL, trapezoid, tripod or fly points 65°H x 65°V.

imgres.jpg

ELECTRO-VOICE XW15 FLOOR MONITOR

The EV Xw15 is an “X-Array” 2-way 15” floor monitor wedge with 110dB SPL, 80°H x 55°V.

imgres.jpg

GALAXY HOT SPOT MONITOR

The Galaxy Hot Spot personal monitor features mid/high range frequency tailoring, 1/4” parallel input, 100-watt capacity, and built in stand mount; 16Ω or 32Ω.

imgres.jpg

GUITAMMER BUTTKICKER CONCERT

The Guitammer Buttkicker 300w low frequency audio transducer is especially designed to provide low end response for stage and studio monitoring; mounts to a drummers throne or a plate that the bassist stands on; provides body shaking low frequency energy that is absent with in-ear monitors.

Jenkins FS280SL.jpg

JENKINS FS280SL MONITOR SPEAKER

The cantilevered Jenkins FS280SL monitor is a front-of-stage 2-way fill speaker that sits nearly flush to the deck with a pass-through slot for mic cables; 120° x 40° pattern.

Jenkins X8 rev.jpg

JENKINS X8 MONITOR SPEAKER

The 100db SPL Jenkins X8 is a low profile wedge monitor speaker that can be hung from a yoke, clamp, or stand-mounted; 70°H x 70°V.

Jenkins NS2111.jpg

JENKINS NS2111 MONITOR SPEAKER

The Jenkins NS2111 single 21” subwoofer enjoys “cult” status among hip-hop artists in the studio.

Jenkins NS1812.jpg

JENKINS NS1812 STUDIO SUBWOOFER

The Jenkins NS1812 single 18” studio subwoofer provides exceptional sound performance specifically designed to handle modern recording trends making it extremely popular with hip-hop artists in the studio.

imgres.jpg

L-ACOUSTICS dV-SUB MONITOR SPEAKER

The compact high power L-Acoustics dV-Sub is ideal for applications requiring maximum low end impact from an extremely compact enclosure; 3 x 15” subwoofer,1200 watts, 143 dB, 2.7Ω

images.jpg

QSC I-82 MONITOR SPEAKER SYSTEM

The 8” compact QSC I-82 full-range 2-way monitor speaker system is ideal for a wide range of applications and delivers focused sound regardless of its orientation; 113dB SPL, 8” woofer / 1” comp driver, pole cup and mic stand adapters for mounting options.

imgres.jpg

YAMAHA S215IV MONITOR SPEAKER SYSTEM

The Yamaha S215IV Monitor Speaker System provides the professional features expected from the Yamaha Club Series line with a dual 15” 2-way system, cast frame woofers, 2000 watts peak power handling, and 132dB SPL.

imgres.jpg

YAMAHA S115IV MONITOR SPEAKER

The Yamaha S115IV 2-way trapezoid 15” speaker delivers big house sound with improved low-frequency performance and 500 watt program handling; 129dB SPL, 15” woofer, 2” compression driver.

imgres.jpg

YAMAHA CM12V MONITOR SPEAKER

The Yamaha CM12V 2-way 12” passive floor speaker provides reliable stage monitoring with a 2” voice coil driver, dual speakon, and 1/4” connectors; 129dB SPL.

Powered PA / Monitor Speakers

Adam A7X speaker.jpg

Adam A7X Speaker

The Adam A7X self powered near-field studio monitor speaker delivers high quality audio in a versatile compact design.

imgres.jpg

ANCHOR AN-1000X SPEAKER MONITOR

The Anchor AN-1000X portable powered speaker monitor features input and output options for easy adaptability to a variety of applications.

Anchor anmini.jpg

Anchor AN-MINI/MiniVox Lite

The compact and lightweight AN-Mini/MiniVox Lite is a powerful portable PA system that is perfect for voice amplification and music both indoors and outdoors.

imgres.jpg

ANCHOR LIBERTY MPB-4500 Portable Sound System

The Anchor Liberty MPB-4500 is a portable PA system designed to provide powerful sound with the versatility to handle full-range music or voice projection - making it one of the most popular sound systems available.

images.jpg

BOSE L1 COMPACT PA SYSTEM

The Bose L1 Compact PA System provides a lightweight and versatile all-in-one full PA system and monitoring system with great features such as a built-in mixer and two ToneMatch channels.

Denon envoi.jpg

Denon Envoi Portable Speaker System

The Denon Envoi Portable Speaker System is a compact and easily transportable AC or battery powered PA system that features a built in UHF wireless system with hand mic, SD card reader, MP3 players (USB), and Bluetooth; has retractable handle and wheels.

imgres.jpg

FANON MV-10 MEGAPHONE

The Fanon MV-10 megaphone features include a solid-state built in microphone and a 600 yard range, a foghorn signal, variable volume control, and is weatherproof.

images.jpg

FENDER PASSPORT 150 PRO PORTABLE PA SYSTEM

With features like an extra stereo channel and improved speaker voicing, the Fender Passport 150 Pro Portable PA System is ideal for a variety of applications and presentations; 4 Channels (2 mic/line, 2 stereo), reverb, 2 speakers, stands & speaker cable incl.

Fostex 6301b.jpg

FOSTEX 6301B PERSONAL MONITOR SPEAKER

The small and versatile Fostex 6301B Personal Monitor Self-Powered Speaker handles a wide variety of applications with a built-in 10 watt amplifier delivering big sound that is full of clarity.

images.jpg

MACKIE SRM450V2 ACTIVE PA LOUDSPEAKER

The Mackie SRM450V2 offers studio-quality sound in a 12” active 2-way live speaker; features include 12” 300 watt 2-way bi-amped mic/line inputs, lightweight and portable.

QSC K12.jpg

QSC K12 ACTIVE LOUDSPEAKER SYSTEM

The QSC K12 is an exceptional lightweight 1000 watt 2-way powered 12” loudspeaker system with mic/line inputs and line output; wedge or pole mount.

QSC K10.jpg

QSC K10 ACTIVE LOUDSPEAKER SYSTEM

The QSC K10 is an exceptional lightweight 1000 watt 2-way powered 10” loudspeaker system with mic/line inputs and line output; wedge or pole mount.

QSC K8.jpg

QSC K8 ACTIVE LOUDSPEAKER SYSTEM

The QSC K8 is an exceptional lightweight 1000 watt 2-way powered 8” loudspeaker system with mic/line inputs and line output; wedge or pole mount.

imgres.jpg

QSC KW153 ACTIVE LOUDSPEAKER

The QSC KW153 is a powerful and portable 1000 watt 3-way self-powered PA speaker system with mic/line inputs and line outputs.

imgres.jpg

QSC KW181 ACTIVE SUBWOOFER

The QSC KW181 is a powerful and portable 1000 watt self-powered 18” subwoofer with mic/line inputs and line outputs.

Yamaha DSR115.jpg

YAMAHA DSR115 ACTIVE LOUDSPEAKER

The Yamaha DSR115 2-way active 15” loudspeaker is fully loaded with 2 Class-D amplifiers and Yamaha’s Dynamic-Contour processor and is able to deliver up to 1300W of power; performs as a main PA, is stand/pole mountable, or use M10 rigging points for suspended installation.

imgres.jpg

YAMAHA MSR-100 POWERED SPEAKER SYSTEM

The Yamaha MSR-100 2-way powered speaker system provides 100 watt sound reinforcement and stage monitor needs in one lightweight package with a built-in mixer and EQ; features include a link out jack to connect multiple units, and a variety of mounting options.

Studio Monitors

Adam A7X speaker.jpg

ADAM A7X MONITOR SPEAKER

The ADAM A7X self powered 2-way near-field studio monitor features X-ART Technology for outstanding clarity and state of the art input and filter sections to achieve the best in multi-channel active studio monitoring; 150 watt biamplified design, XLR and RCA inputs.

Auratone.jpg

AURATONE NEAR-FIELD SPEAKER

The Auratone 5C Super Sound Cube is still the undisputed industry standard for in-studio real-world referencing, auditioning, remotes, and final mixes; features flat full-range response, superb power handling, and portability.

Blue Sky Sky One.jpg

BLUE SKY SKY ONE STUDIO MONITOR

The Blue Sky Sky System One provides accurate full-range 5.1 self powered near-field monitoring; features bass management controller (BMC), THX pm3® approved for THX pm3® certified studios, and BOO™ technology.

EV Sentry 100A.jpg

ELECTRO-VOICE SENTRY 100A MONITOR SPEAKER SYSTEM

The EV Sentry 100A is a near-field monitor speaker system designed for post production and live sound and featuring a Super-Dome™ tweeter capable of handling 25 watts of input power while faithfully reproducing the program material with response out to 18,000 Hz and uniform dispersion.

Genelec 1031A.jpg

GENELEC 1031A STUDIO MONITOR

The award winning Genelec 1031A is a 2-way active monitor system featuring DCW™ technology and used to provide excellent stereo imaging and frequency balance particularly in challenging acoustic environments; ideal for near-field monitoring, broadcast and TV control rooms, mobile vans, home studios.

Genelec 1032A.jpg

Genelec 1032A STUDIO MONITOR

The Genelec 1032A powerful 2-way active monitoring system is ideal for high power near-field monitoring and features excellent stereo imaging and frequency balance in difficult acoustic environments. (available at 5.1)

Genelec 1094A.jpg

GENELEC 1094A ACTIVE SUBWOOFER

The Genelec 1094A Active Subwoofer is a compact system designed to reproduce frequencies of 29-80 Hz and offers features that allow great flexibility with easy connection to existing monitor systems; adjustable sensitivity, bass roll-off, and phase matching control to tailor response to the environment.

genelec 8130a rev.jpg

GENELEC 8130A DIGITAL MONITORING SYSTEM

The Genelec 8130A Digital Monitoring System has a 192 kHz/24 bit digital audio interface that allows you to input digital audio signals straight into the loudspeaker to precisely monitor the audio content; can be used with a subwoofer, surround audio systems, and as an analog loudspeaker; ideal for near-field monitoring

Genelec 7050.jpg

GENELEC 7050 ACTIVE SUBWOOFER

The Genelec 7050 Active Subwoofer is a compact low frequency loudspeaker designed to extend the bass reproduction of active monitors in stereo applications; features include LSE™ Power efficient port/enclosure design, and minimal port turbulence noise

Genelec SE7261A.jpg

GENELEC SE7261A ACTIVE DSP SUBWOOFER

The Genelec SE7261A self-powered subwoofer features DSP technology that brings flexibility and accuracy of room response EQ to small production environments; 8 AES/EBU highpassed channels, GLM.SE software.

Jenkins NS1812.jpg

JENKINS NS1812 STUDIO SUBWOOFER

The Jenkins NS1812 single 18” studio subwoofer provides exceptional sound performance specifically designed to handle modern recording trends making it extremely popular with hip-hop artists in the studio.

Jenkins NS2111.jpg

JENKINS NS2111 SUBWOOFER

The Jenkins NS2111 single 21” subwoofer is designed to handle new recording trends and enjoys “cult” status among hip-hop artists in the studio.

Meyer HD-1.jpg

MEYER HD-1 HIGH DEFINITION AUDIO MONITOR

The Meyer HD-1 is a self-powered loudspeaker design for ultra-precise near-field monitoring featuring exceptionally broad directivity with a generous “sweet spot”; flat low-frequency response to 32 Hz without subwoofers, available as 5.1.

Neumann KH120 rev.jpg

NEUMANN KH120 ACTIVE STUDIO MONITOR

The Neumann KH120 active studio monitor is designed for use as a near-field loudspeaker or as a rear loudspeaker in larger multi-channel systems.

Tannoy  SGM-10B Super Gold.jpg

TANNOY SGM-10B “SUPER GOLD” STUDIO MONITORS

The “Super Gold” Tannoy SGM-10B 10” studio monitors with unique features like the waveguide high frequency unit and the mastering lab crossover design allows higher amplifier powers to be used with wide dynamic range material.

Tannoy System 10.jpg

TANNOY SYSTEM 10 STUDIO MONITOR SYSTEM

The Tannoy System 10 Studio Monitor Speakers handle up to 250 watts peak with a frequency response of 46Hz-25kHz.

Ultimate Support speaker stand.jpg

ULTIMATE SUPPORT SPEAKER STANDS

Ultimate Support monitor speaker stands feature cabinet quality top plates and cable management top to bottom with the ability to add shot or sand internally; various sizes available.

yamaha HS80.jpg

YAMAHA HS80 SELF-POWERED STUDIO MONITOR

The Yamaha HS80 self-powered 2-way bass reflex bi-amplified near-field studio monitor features an 8” cone woofer and 1” dome high-frequency unit and delivers exceptionally smooth response and dynamic capability over a wider frequency range; (available as 5.1)

yamaha msp5 rev.jpg

YAMAHA MSP-5 NEAR FIELD STUDIO MONITOR

The Yamaha MSP-5 is a 2-way bass-reflex bi-amplified near-field studio monitor designed to handle any combination of digital and analog sources in stereo or surround formats; magnetically shielded (available as 5.1).

Yamaha NS-10M Studio.jpg

YAMAHA NS-10M STUDIO MONITOR SPEAKER

The Yamaha NS-10M Studio Monitor Speaker is designed specifically for near-field studio monitor applications with features like optimum woofer/tweeter matching and crossover design and the configuration to facilitate horizontal on-console placement; 60 Hz to 20 kHz, 60 watts (program), 120 watts (max)

Yamaha SW10.jpg

YAMAHA SW10 STUDIO SELF-POWERED SUBWOOFER

The Yamaha SW10 self-powered near-field 10” bass-reflex subwoofer delivers solid 25Hz - 150 Hz frequency response and features adjustable crossover and full magnetic shielding to deliver consistent quality and performance; easily handles digital and analog sources as well as stereo and surround formats.

Wireless Microphones

Lectrosonics SMV rev.jpg

LECTROSONICS SMV UHF TRANSMITTER

The Lectrosonics SMV Wireless Microphone UHF Belt Pack Transmitter uses a single battery and features selectable output power: 50mW, 100mW, 250mW.

Lectrosonics SMQV.jpg

LECTROSONICS SMQV UHF TRANSMITTER

The Lectrosonics SMQV Wireless Microphone UHF Belt Pack Transmitter is dual battery and features selectable output power: 50mW, 100mW, 250mW

Lectrosonics UCR411A-UM400A rev.jpg

LECTROSONICS UCR411A / UM400A WIRELESS SYSTEM

The Lectrosonics UCR411a / UM400a Wireless System includes the wireless compact receiver and classic Lectrosonics belt pack transmitter with lavalier microphone and is ideal for ENG style production; frequency agile (Block 21)

Shure PWS HA-8089.jpg

SHURE HA-8089 PWS HELICAL ANTENNA

The Shure HA-8089 PWS Helical Wideband UHF Remote Antenna is for Shure UHF-R receivers and antenna distribution systems or PSM transmitters; (470-900 MHz).

SHURE FP-1 and FP-5 SET.jpg

SHURE FP WIRELESS MICROPHONE KIT

The Shure FP Wireless Microphone System includes the FP1 Bodypack Transmitter with a lavalier microphone and the FP5 Portable Diversity Receiver.

SHURE KSM-8 Black Mic Head.jpg

Shure RPW170 KSM8 Wireless Microphone Capsule

The Shure RPW170 KSM8 Wireless Microphone Capsule is compatible with all interchangeable Shure handheld wireless transmitters.

Shure PGX Combo.jpg

Shure PGX Wireless Combo

The Shure PGX UHF Wireless Combo includes a body pack transmitter and a handheld transmitter that work with the PGX receiver; frequency agile (H6, L5).

imgres.jpg

SHURE SLX WIRELESS MICROPHONE COMBO

The Shure SLX Wireless Microphone Combo System includes the SLX4 Receiver and SLX2 Handheld Transmitter with SM58 Microphone Head and SLX1 Bodypack Transmitter; frequency agile (L4, H5, G5).

imgres.jpg

SHURE ULX-D124 WIRELESS MICROPHONE COMBO

The Shure ULX-D124 Wireless Microphone Combo features efficient RF performance with network control and Dante Digital Audio in a system that includes a dual Receiver with both a Handheld Transmitter and a Bodypack Transmitter; frequency agile (G).

Shure AXT600.jpg

SHURE Axient AXT600 RF Spectrum Manager

The Shure Axient AXT600 RF Spectrum Manager offers wide-band UHF spectrum scanning with spectrum analysis and compatible frequency coordination in one single rack unit.

imgres.jpg

SHURE UR124S WIRELESS MICROPHONE COMBO

The Shure UR124S Single Wireless Microphone Combo includes a UR1 Bodypack Transmitter and a UR2/Beta58A Handheld Transmitter with a UR4 Diversity Receiver; frequency agile (H4).

Shure UR124D Dual Combo.jpg

Shure UR124D Dual Wireless Microphone Combo

The Shure UR124D Dual Wireless Microphone Combo includes two UR1 Bodypack Transmitters and two UR2/Beta58A Handheld Transmitters with a UR4 Dual Diversity Receiver; frequency agile (H4, J5, G1, L3).

images.jpg

SHURE UA845 UHF Antenna Distribution System

The Shure UA845 UHF Antenna Distribution System expands a wireless microphone system by splitting one pair of antennas to multiple Shure UR4 or Shure ULX4 wireless receivers; (500-900 MHz).

imgres.jpg

SHURE UA844 Antenna Distribution System

The Shure UA844 UHF Antenna Distribution System allows the expansion of wireless microphone systems by splitting one pair of antennas to multiple receivers; (400-900 MHz).

imgres.jpg

Shure UA870 UHF Directional Antenna

The Shure UA870 UHF Active Directional Antenna features a log periodic dipole array and an on-board rf amplifier; (470-900 MHz).

images.jpg

SHURE UA221/220 Passive Antenna Splitter/Combiner

The Shure UA221/222 UHF Passive Antenna Splitter/Combiner lets you split an incoming signal into two outgoing signals or combine two incoming signals into one signal.

Sony UWP.jpg

SONY UWP-V1 WIRELESS MICROPHONE SYSTEM

The Sony UWP-V1 Wireless Lavalier Microphone System includes a transmitter and portable-type receiver suitable for ENG and EFP applications; frequency agile (30).

Microphones

AEA N-8.jpg

AEA N8 RIBBON MICROPHONE

The AEA N8 Active Ribbon Microphone excels in capturing drum overheads and classical ensembles and orchestras; an ideal complement to the AEA N22 microphone.

AEA N-22.jpg

AEA N22 RIBBON MICROPHONE

The AEA N22 Active Ribbon Microphone offers the top end clarity of a condenser mic with a ribbon’s smoothness and features phantom powered electronics; ideal for close-mic applications such as acoustic and electric guitars, piano, vocals, and drums.

imgres.jpg

AEA R84 RIBBON MICROPHONE

The versatile AEA R84 Passive Ribbon Microphone features many of the unique sound characteristics of the historic R44 and is designed for both close-up and ensemble applications.

imgres.jpg

AEA R88 RIBBON MICROPHONE

The AEA R88 Stereo Ribbon Microphone is designed for stereo instrument and ensemble recording applications such as chamber music or drum overheads.

imgres.jpg

AEA R92 RIBBON MICROPHONE

The AEA R92 Passive Studio Ribbon Microphone is designed for closer applications and louder sources with features that are particularly well suited for electric guitar, electric bass, and drums.

images.jpg

AKG C12A CONDENSER MICROPHONE

The AKG C12A Condenser Microphone is a classic multi-pattern vacuum tube mic that is excellent for vocals and a variety of instruments.

imgres.jpg

AKG C12 VR STUDIO CONDENSER MICROPHONE

The AKG C12 VR is the reference multi-pattern tube studio condenser microphone with nine polar patterns selectable by remote control; designed for lead vocals, brass instruments, and electric guitars.

AKG C24.jpg

AKG C24 STEREO STUDIO TUBE CONDENSER MICROPHONE

The AKG C24 stereo vacuum tube studio microphone is the optimal choice for all stereo applications whether voice or instrument; multi-pattern.

imgres.jpg

AKG C409 MINIATURE CLIP-ON CONDENSER MICROPHONE

The AKG C409 is a hypercardioid electret condenser microphone that clips onto the bell of instruments such as trumpets or saxophones; also a miniature drum mic, frequency response is 20Hz ~ 20kHz.

images.jpg

AKG C414EB CONDENSER MICROPHONE

The versatile AKG C414EB classic large diaphragm multi-pattern condenser microphone is an excellent all-purpose mic for vocals and acoustic instruments.

imgres.jpg

AKG C414 XLS MULTI-PATTERN CONDENSER MICROPHONE

The AKG C414 XLS multi-pattern condenser microphone is a versatile choice for vocals and instruments in studio and onstage; nine selectable polar patterns.

AKG C-414B-ULS with logo.jpg

AKG C414 B-ULS CONDENSER MICROPHONE

The AKG C414 B-ULS is the classic large-diaphragm reference microphone of choice for vocals and percussions or any sound sources with complex waveforms; four selectable polar patterns.

imgres.jpg

AKG C420 HEADSET CONDENSER MICROPHONE

The AKG C420 Headset Condenser Microphone provides full frequency-response and is the perfect choice for vocal applications that require hands-free performance capabilities.

426.jpg

AKG C-426B STEREO CONDENSER MICROPHONE

The AKG C426B Stereo Condenser Microphone is designed for coincident recording making it a perfect choice for single-point stereo recording applications such as drum overheads or staged vocal recordings.

imgres.jpg

AKG C451 / C452 CONDENSER MICROPHONE

The AKG C451 and AKG C452 Condenser Microphones are an optimal choice anywhere excellent sound recording is required; choice of omni or cardioid head. The C452 requires p48.

imgres.jpg

AKG C460 CONDENSER MICROPHONE

The AKG C460 ULS Cardioid Condenser Microphone delivers optimal sound in all types of studio recording applications with choice of omni, cardioid, or hypercardioid heads.

imgres.jpg

AKG D112 DYNAMIC MICROPHONE

THE AKG D112 Dynamic Microphone is a classic mic for kick drums but is also a versatile choice for floor toms; features a large diaphragm, especially designed for high sound pressure.

imgres.jpg

AKG D12E DYNAMIC CARDIOID MICROPHONE

THE AKG D12E Dynamic Cardioid Microphone is a classic microphone of choice for bass drum and bass instrument pick-up; features a large diaphragm and cardioid polar pattern.

" 150 base-21B microphone tube condenser.jpg

ALTEC M11 MICROPHONE SYSTEM

The Altec M11 Microphone System featuring the Altec 21B Miniature Condenser Microphone on the 150A Base is a vintage omnidirectional tube condenser mic also referred to as the “coke-bottle” because of its shape.

" tube condenser mic with 21D capsule #3.jpg

ALTEC M20 “LIPSTIK” MICROPHONE

The Altec M20 “Lipstik” Microphone is a vintage omnidirectional vacuum tube condenser microphone mounted in a rugged case no larger than a lipstick and originally promoted to be especially ideal for TV broadcast interviews.

imgres.jpg

ALTEC 639 "BIRDCAGE" CARDIOID RIBBON MICROPHONE

The Altec 639 "Birdcage" Ribbon Multi-Pattern Microphone has a classic look and delivers excellent sound when recording vocals and brass instruments.

Altec 670 no stand.jpg

ALTEC 670 RIBBON MICROPHONE

The Altec 670 Ribbon Microphone is a general purpose microphone of broadcast quality featuring a frequency range that covers the complete audio spectrum; with selectable pickup patterns.

AMERICAN D22 omni-directional dynamic microphone #1 copy.jpg

AMERICAN D-22 OMNI-DIRECTIONAL MICROPHONE

The vintage American D-22 Omni-Directional Microphone was introduced in the 1950s as a sleek-looking alternative to bulkier mics of the day; used in studio recording, public address, and TV broadcast applications.

imgres.jpg

AUDIO-TECHNICA AT4033 CONDENSER MICROPHONE

The Audio-Technica AT4033 Cardioid Condenser Microphone features a large diaphragm and is a versatile studio classic - especially great with vocals and acoustic instruments.

imgres.jpg

AUDIO-TECHNICA AT4050 CONDENSER MICROPHONE

The Audio-Technica AT4050 Multi-Pattern Dual-Diaphragm Condenser Microphone is ideal for a variety of sound applications such as studio recording and live production.

imgres.jpg

AUDIO-TECHNICA AT4051 CONDENSER MICROPHONE

The Audio-Technica AT4051Condenser Cardioid Microphone is an optimal choice anywhere excellent sound recording is required.

imgres.jpg

AUDIO-TECHNICA AT815ST CONDENSER MICROPHONE

The lightweight Audio-Technica AT815ST Stereo Shotgun Condenser Microphone is specially engineered for camera mount use and is excellent as a boom mic or audience mic.

imgres.jpg

AUDIO-TECHNICA AT831R LAVALIER MICROPHONE

The Audio-Technica AT831R is a Miniature Cardioid Condenser Lavalier Microphone optimally used an interview mic or acoustic instrument mic.

imgres.jpg

AUDIO-TECHNICA AT835 STEREO SHOTGUN MICROPHONE

The lightweight Audio-Technica AT835 Stereo Shotgun Condenser Microphone is designed for camera mount use or is excellent as a boom mic or audience mic.

imgres.png

AUDIO-TECHNICA AT853R CONDENSER MICROPHONE

The versatile Audio-Technica U835R Miniature Cardioid Condenser Microphone features a steel hanger for overhead installation making it perfect for orchestra or choir reinforcement and recording.

imgres.png

AUDIO-TECHNICA AT857 GOOSENECK MICROPHONE

Our Audio-Technica AT857 14" Cardioid Condenser Gooseneck Microphone podium pak includes (2) cardioid gooseneck mics w/ flanges; designed for high quality professional recording and broadcasting.

audio technica 5-13.jpg

AUDIO-TECHNICA AT895 CONDENSER SHOTGUN MICROPHONE

The Audio-Technica AT895 Adaptive-Array Shotgun Microphone functions equally well for handheld interviews or long-range sound pickup in the field or in the studio; includes a Rycote Windshield.

imgres.jpg

AUDIX CX112B CONDENSER MICROPHONE

The Audix CX112B Large Diaphragm Cardioid Condenser Studio Microphone performs well in a variety of studio and live recording applications such as vocals, choir, percussion and electric guitars.

imgres.jpg

AUDIX D6 DYNAMIC MICROPHONE

The Audix D6 Large Diaphragm Dynamic Instrument Microphone is optimal for stage and studio broadcast applications as an excellent choice for kick drums, floor toms, bass cabinets or Leslie bottoms.

imgres.jpg

AUDIX M1255 MINIATURE CONDENSER MICROPHONE

The Audix M1255 Miniature Condenser Microphone is uniquely designed for a wide variety of studio and live broadcast applications such as hanging choir mic and conferencing or location recording.

imgres.jpg

AUDIX SCX25A CONDENSER MICROPHONE

The Audix SCX25A Studio Condenser Microphone is ideal for recording acoustic instruments such as pianos or choirs and orchestra sections; features a 1” cardioid condenser, available as matched pairs.

B&K 4006.jpg

B&K 4006 STUDIO MICROPHONE

The vintage B&K 4006 is a 16mm diameter pre-polarized condenser microphone specially designed for low-level applications making it ideal for general recordings of soloists and ensembles.

B&K 4007.jpg

B&K 4007 STUDIO MICROPHONE

The B&K 4007 is essentially a 12mm diameter version of the 4006 and is designed for handling very high SPL without distortion when recording percussion or plucked instruments; handles peak levels up to 168dB before clipping

b&k 4011-condenser-microphone-xl.jpg

B&K 4011 CARDIOID CONDENSER MICROPHONE

The B&K 4011 Cardioid Omnidirectional Condenser Microphone is designed for vocal and instrument applications; is able to handle extremely high SPL without distortion and noise over a wide frequency range.

imgres.jpg

BARCUS-BERRY PRO 4000 PLANAR WAVE SYSTEM

The Barcus-Berry Pro 4000 Planar Wave System is a condenser boundary microphone for recording piano and harp; is easily attached and removed to either side of the soundboard without tools.

imgres.jpg

BEYERDYNAMIC M88 DYNAMIC MICROPHONE

The Beyerdynamic M88 Dynamic Microphone features a highly defined hypercardioid polar pattern and is a classic choice for a variety of vocal and instrument applications; moving-coil element is more sensitive than many dynamic mics.

images.jpg

BEYERDYNAMIC M130 DOUBLE RIBBON MICROPHONE

The Beyerdynamic M130 Double Ribbon Microphone features a double ribbon element that delivers superb transient response and highly detailed transparent sound in a wide variety of recording applications; bidirectional figure eight polar pattern.

imgres.jpg

BEYERDYNAMIC M160 DOUBLE RIBBON MICROPHONE

The Beyerdynamic M160 Double Dynamic Ribbon Microphone features a hypercardioid polar pattern and is ideal for voice reproduction, string instruments, pianos, saxophones, and toms.

images.jpg

BEYERDYNAMIC M500 DYNAMIC RIBBON MICROPHONE

The Beyerdynamic M500 Hypercardioid Dynamic Ribbon Microphone is designed for vocal and instrumental applications; unique four stage integral blast filter permits close handheld use without pops or hisses.

imgres.jpg

BEYERDYNAMIC MC 833 STEREO CONDENSER MICROPHONE

The Beyerdynamic MC 833 Stereo Condenser Microphone is a superb general-purpose stereo condenser mic that offers true XY or MS recording.

imgres.jpg

BEYERDYNAMIC MM1 MEASUREMENT MICROPHONE

The Beyerdynamic MM1 is an electret condenser measurement microphone with linear frequency response; omnidirectional polar pattern, calibrated open circuit voltage.

imgres.jpg

BLUE BLUEBERRY STUDIO CONDENSER MICROPHONE

The Blue Blueberry Signature Large-Diaphragm Studio Condenser Microphone is suited to a variety of applications from vocals and acoustic string instruments to bass recording; cardioid polar pattern, frequency response 20Hz - 20kHz.

imgres.jpg

BRAUNER VM1 TUBE MICROPHONE

The Brauner VM1 Vacuum Tube Condenser Microphone is an optimal choice for vocal and instrument recordings; the power supply allows infinite adjustments of directional characteristics as well as a 10dB reduction through a switchable attenuator.

Church U47.jpg

CHURCH U47 “CINEMIC” TUBE MICROPHONE

The Church U47 is the rare large diaphragm condenser vacuum tube mic built by Stanley Church at MGM using U47 components; a wonderful mic with the classic U47 sound for applications such as spoken word, instruments, and vocals.

imgres.jpg

COLES 4038 STUDIO RIBBON MICROPHONE

The Coles 4038 Studio Ribbon Microphone features a smooth wide range frequency response and relatively high sensitivity, is bi-directional, and is available as a stereo matched pair.

imgres.jpg

COLES 4104 RIBBON MICROPHONE

The Coles 4104 Ribbon Microphone is used for capturing high quality commentary speech in noisy surroundings by canceling out a degree of the background noise; also known as a commentator’s noise canceling mic or “Lip Mic”.

imgres.jpg

COUNTRYMAN E6 EARSET MICROPHONE

The Countryman E6 Earset Condenser Omnidirectional Microphone is a popular “headset” style microphone for a variety of live performance applications such as vocals, theater productions, & houses of worship.

imgres.jpg

COUNTRYMAN ISOMAX HEADSET MICROPHONE

The Countryman Isomax Headset Cardioid Condenser Microphone for speech and vocal performances features a flexible boom for easy positioning and comfortably stays securely in place, even during dance-oriented performances.

imgres.jpg

COUNTRYMAN B3 OMNIDIRECTIONAL LAVALIER MICROPHONE

The Countryman B3 Omnidirectional Lavalier Condenser Microphone is a miniature lavalier especially designed for public speaking, interviews, stage performances and film shoots; easy to hide, moisture resistant.

imgres.jpg

CROWN AUDIO PCC160 BOUNDARY MICROPHONE

The Crown Audio PCC160 is a professional boundary layer microphone and an industry standard stage floor microphone designed for accurate pick up and signal reproduction on stages, conference tables, lecterns.

imgres.jpg

CROWN AUDIO PZM BOUNDARY MICROPHONE

The Crown PZM Boundary Microphone is a pressure zone boundary mic designed for professional recording applications as varied as full orchestras to individual instruments to board room conference tables.

imgres.jpg

CROWN AUDIO SASS-P STEREO PZM MICROPHONE

The Crown Audio SASS-P Stereo PZM Condenser Microphone features 2 Pressure Zone Microphones creating well-focused stereo imaging without a middle spectrum “gap”; ideal for classical-music recording, concerts, crowds, and theater.

DPA 3523 KIT.jpg

DPA 3523 STEREO MICROPHONE KIT

The DPA 3523 Stereo Microphone Kit includes a matched pair of DPA 4023 Cardioid Microphones with assorted mounting options and is ideal for piano or percussion instruments.

imgres.jpg

DPA d:screet 4061 MICROPHONE

The DPA 4061 Omnidirectional Lavalier Microphone is typically used with wireless systems for theater and television productions; modular adapters accommodate most wireless systems or can be hardwired.

DPA 4066F rev.jpg

DPA d:fine 4066F HEADSET MICROPHONE

The DPA 4066F Omnidirectional Headset Microphone is a popular choice for broadcasters and live stage performances; modular adapters accommodate most pro wireless systems, fully adjustable and humidity-resistant.

images.jpg

DPA d:vote 4099 CONDENSER MICROPHONE

The DPA 4099 Mini Condenser Instrument Microphone was designed to capture great sound and still be diminutive in size; features a supercardioid pattern, available with many clip and mounting options eliminating the need for mic stands and boom arms.

pianomic.jpg

EARTHWORKS PM40 PIANOMIC SYSTEM

The telescoping bar of the Earthworks PM40 PianoMic System allows for piano miking without stands or booms and features two Random Incidence Omnidirectional 40kHz HD Microphones with a frequency response of 9 Hz to 40kHz.

imgres.jpg

EARTHWORKS QTC50 OMNI MICROPHONE

The Earthworks QTC50 Omnidirectional Microphone is a very low noise mic and an excellent choice for drum overheads and wind and percussion instruments; a frequency response of 3Hz to 50kHz.

imgres.jpg

EARTHWORKS TC30K OMNI MICROPHONE

The Earthworks TC30K Omni Microphone is designed for recording loud sources such as drums and percussion or amplified instruments and loud sound effects; ideal for a wide variety of instruments and vocals; frequency response 9Hz to 30kHz.

imgres.jpg

ELECTRO-VOICE 635A DYNAMIC MICROPHONE

The Electro-Voice 635A Omnidirectional Handheld Dynamic Microphone is well-known for its versatility in professional sound applications from radio and television broadcasting to public address.

imgres.jpg

ELECTRO-VOICE MODEL 649B LAVALIER MICROPHONE

The vintage Electro-Voice Model 649B Miniature Lavalier Dynamic Microphone was originally created for TV applications and can be used hand-held or mounted on a stand.

imgres.jpg

ELECTRO-VOICE RE16 DYNAMIC MICROPHONE

The Electro-Voice RE16 Dynamic Supercardioid Microphone is ideal for podium or handheld applications; an integral blast filter permits handheld or outdoor use without popping or excessive wind noise.

EV RE18.jpg

ELECTRO-VOICE RE18 DYNAMIC SUPERCARDIOID MICROPHONE

The Electro-Voice RE18 is a shock-isolated handheld dynamic microphone that is ideally suited for broadcasting and high quality sound reinforcement; used in recording studios and in the field for news and sports.

imgres.jpg

ELECTRO-VOICE RE20 DYNAMIC MICROPHONE

The Electro-Voice RE20 Dynamic Cardioid Microphone is a legendary broadcast microphone that is also popular in music production for a variety of instrument and vocal applications.

imgres.jpg

ELECTRO-VOICE RE38 DYNAMIC MICROPHONE

The Electro-Voice RE38 Dynamic Cardioid Microphone is ideal for broadcasting and sound reinforcement applications requiring smooth tailoring response over a wide frequency range; a great mic for drums and vocals, amps, bass.

imgres.jpg

ELECTRO-VOICE RE50 DYNAMIC HANDHELD MICROPHONE

The Electro-Voice RE50 Handheld Interview Microphone is the industry standard for broadcast television production and specially designed to handle wind noise and pops.

imgres.jpg

HEIL SOUND CLASSIC PRO MICROPHONE

The Heil Sound Classic Pro is a modern dynamic cardioid microphone with a vintage look; designed for a variety of broadcast and recording applications, wide frequency response.

imgres.jpg

HEIL SOUND PR20 DYNAMIC MICROPHONE

The Heil Sound PR20 Dynamic Handheld Microphone features a large diaphragm and cardioid pattern with uniform front-to-back discrimination and is designed for a variety of live sound recording and broadcast applications.

imgres.jpg

HEIL SOUND PR22 DYNAMIC MICROPHONE

The Heil Sound PR22 Dynamic Cardioid Microphone features a 1.125” diaphragm patented isolation mounting that provides greater articulation with very low handling noise in studio and live recording applications.

imgres.jpg

HEIL SOUND PR28 DYNAMIC DRUM MICROPHONE

The Heil Sound PR28 Dynamic Drum Microphone is made specifically for toms and other percussion instruments but is suitable for applications where a wide frequency range and immaculate isolation is desired.

imgres.jpg

HEIL SOUND PR30 DYNAMIC MICROPHONE

The Heil Sound PR30 Dynamic Microphone features a shock-mounted large 1.5” low mass diaphragm and runs noise-free in most recording applications; perfect for guitars and toms.

imgres.jpg

HEIL SOUND PR40 DYNAMIC MICROPHONE

The Heil Sound PR40 Dynamic Microphone provides the widest frequency range in the Heil PR series; incorporates a large 1” low mass diaphragm in a specially designed mic body to provide flawless smooth response for everything from vocals to drums.

images.jpg

HEIL SOUND PR48 KICK DRUM MICROPHONE

The Heil PR48 Dynamic Kick Drum Microphone features a large double shock-mounted diaphragm and 148dB SPL handling making it a great rock kick drum mic; also ideal for a wider range of music drumming applications.

imgres.jpg

M-AUDIO LUNA CONDENSER MICROPHONE

The M-Audio Luna Cardioid Large-Diaphragm Condenser Microphone features a transformer-coupled output and suits most normal studio and vocal applications delivering balance with minimal noise.

images.jpg

M-AUDIO SOLARIS MULTI-PATTERN CONDENSER MICROPHONE

The M-Audio Solaris Large-Diaphragm FET Condenser Microphone features 3 polar patterns and is suited to most studio applications particularly spoken word recording, delivering good definition while minimizing sibilance.

imgres.jpg

M-AUDIO SPUTNIK VACUUM TUBE CONDENSER MICROPHONE

The M-Audio Sputnik Vacuum Tube Condenser Microphone features a multi-pattern large-diaphragm and delivers the vivid classic sound of a vintage mic; 3 selectable polar patterns, switchable 10dB pad and 80Hz high-pass filter.

imgres.jpg

MANLEY REFERENCE CARDIOID TUBE MICROPHONE

The Manley Reference Cardioid Tube Microphone promises “finished” sound right out of the box and is a modern pop music recording favorite; delivers rich tonal balance and liquidity for instruments and particularly vocals.

imgres.jpg

MANLEY REFERENCE MONO GOLD MICROPHONE

The Manley Reference Gold Multi-Pattern Tube Condenser Microphone features a large 1” diaphragm and a continually variable pickup pattern control with the ability to dial in a desired proximity effect.

Neumann GFM132 rev.jpg

NEUMANN GFM132 BOUNDARY MICROPHONE

The Neumann GFM132 Boundary Microphone features uniform frequency response for all angles of incidence and presence even when recording distant sound sources making it a problem-solver for special recording applications.

images.jpg

NEUMANN KM56 TUBE MICROPHONE

The Neumann KM56 Miniature Multi-Pattern Tube Condenser Microphone features a rotating pattern selector at the base and is ideal for recording vocals as well as overheads and acoustic instruments.

Neumann KM64.jpg

NEUMANN KM 64 TUBE MICROPHONE

The vintage Neumann KM 64 Miniature Condenser Tube Microphone was originally designed for unobtrusive use in film and television studios but its ability to deliver a very transparent sound makes it an excellent choice for recording acoustic instruments.

imgres.jpg

Neumann KM 84 Cardioid Condenser Microphone

The vintage Neumann KM 84 Cardioid Condenser Microphone was the first phantom-powered microphone and specially designed to be unobtrusive; remains a favorite mic for all studio applications, particularly for drum overheads.

imgres.jpg

Neumann KM 86 Multi-Pattern Condenser Microphone

The vintage Neumann KM 86 Multi-Pattern Condenser Microphone uses 2 KK84 capsules mounted back to back and offers Cardioid, Omnidirectional, or figure-of-8 polar patterns.

Neumann KM88 rev.jpg

Neumann KM 88 Multi-Pattern Condenser Microphone

The vintage Neumann KM 88 Multi-Pattern Condenser Microphone was designed to provide multi-patterns in a diminutive size without sacrificing the ability to produce an especially brilliant sound quality.

imgres.jpg

Neumann KM 184 Cardioid Condenser Microphone

The Neumann KM 184 Condenser Microphone has a 20 Hz to 20 kHz frequency response and provides flexibility for use in a wide range of recording applications, particularly for high volume situations.

Neumann KMR-81i.jpg

Neumann KMR 81i Shotgun Microphone

The Neumann KMR 81i Shotgun Microphone was specifically designed for broadcast and film applications but is also well suited to record individual instruments or sections of an orchestra.

imgres.jpg

Neumann KMR 82i Long Shotgun Microphone

The Neumann KMR 82i Long Shotgun Microphone is designed for multiple recording applications where long reach and super-directional features are crucial, such as in television and theater production, broadcast news, sports, and orchestra recording.

imgres.jpg

Neumann KMS 105 Condenser Microphone

The Neumann KMS 105 Condenser Vocal Microphone is uniquely designed to provide a high vocal sound quality in live stage settings particularly with jazz or acoustic styles where the vocalist is highlighted.

imgres.jpg

Neumann KU 100 Binaural Dummy Head Microphone

The Neumann KU 100 Binaural Dummy Head Microphone is a system that resembles the human head and implements two microphone capsules in the ears in order to replicate human hearing; its purpose is to achieve authentic true-to-life stereo imagery and field perception.

imgres.jpg

NEUMANN M 49 TUBE CONDENSER MICROPHONE

The versatile Neumann M 49 Multi-Pattern Large Diaphragm Tube Condenser Microphone provides excellent results in the most challenging acoustic recording conditions.

images.jpg

Neumann M 50b Tube Condenser Microphone

The Neumann M 50b Omnidirectional Tube Condenser Microphone is based on the chassis and amplifier of the multi-pattern Neumann M 49; the primary difference between the two was the innovative capsule used in the M 50.

Neumann M147.jpg

Neumann M 147 Tube Condenser Microphone

The Neumann M 147 Cardioid Tube Condenser Microphone features the K 47 dual diaphragm capsule inherited from the legendary U 47 making it especially well-suited as a vocal mic and a spot mic for all types of musical instruments.

imgres.jpg

Neumann M 149 Multi-Pattern Tube Microphone

The versatile Neumann M 149 Multi-Pattern Tube Microphone is an ideal choice for recording applications such as vocals and all types of instruments; it features a variable dual-diaphragm and the K 49 capsule inherited from the legendary U 47.

imgres.jpg

Neumann RSM 190 Condenser Microphone

The Neumann RSM 190 Condenser Shotgun Stereo Microphone features a high directivity index for stereo sound applications and is ideal for recording environments with high ambient noise levels such as recording dialogue at a news gathering outdoors. "MS" or "XY" pattern.

imgres.jpg

Neumann TLM 49 Condenser Microphone

The Neumann TLM 49 Large Diaphragm Cardioid Condenser Microphone features a design inspired by the legendary M 49 and delivers a warm sound making it an ideal choice for vocal applications.

imgres.jpg

Neumann TLM 103 Condenser Microphone

The Neumann TLM 103 Large Diaphragm Cardioid Condenser Microphone features an acoustically well-balanced capsule that is derived from the legendary U 87 and provides ideal sound quality in practically all recording applications.

images.jpg

Neumann TLM 170 R Condenser Microphone

The Neumann TLM 170 R Condenser Microphone features a large diaphragm with multiple patterns and delivers a very transparent sound making it ideal for vocal applications such as an announcers mic or close miking of instruments.

images.jpg

Neumann TLM 193 Condenser Microphone

The Neumann TLM 193 Large Diaphragm Cardioid Condenser Microphone features a large dynamic range and wide frequency response and is able to reproduce subtle nuances of vocals and music performances without coloration.

imgres.jpg

Neumann U 47 Vacuum Tube Microphone

The legendary Neumann U 47 Multi-Directional Vacuum Tube Microphone features clear distortion-free sound and sensitive reproduction making it a studio standard for all broadcasting and recording applications.

imgres.jpg

Neumann U 47 FET Condenser Microphone

The Neumann U 47 FET Cardioid Condenser Microphone is a versatile studio microphone created in the tradition of the legendary U 47 but combining its acoustic properties with the most up-to-date amplifier technology; a great mic for soloists and for recording nearly any instrument.

imgres.jpg

Neumann U 67 Vacuum Tube Condenser Microphone

The Neumann U 67 Vacuum Tube Cardioid Condenser Microphone features a multi-pattern large-diaphragm and is a studio standard for all broadcasting and recording applications; it was designed to replace the U 47 Tube Mic.

imgres.jpg

Neumann U 87 and U 87A Condenser Microphone

The Neumann U 87 and U 87A Multi-Pattern Condenser Microphones each feature a large diaphragm and 3 polar patterns and are ideally used to record orchestras, single instruments, vocals and for spoken word.

imgres.jpg

Neumann U 89 i Condenser Microphone

The Neumann U 89 i Large Diaphragm Condenser Microphone is similar in appearance to the U 87 but features five instead of three directional characteristics and a higher maximum SPL; a studio microphone for universal applications.

QUE Audio 210 Hybrid Sniper Shotgun Microphone Kit.jpg

QUE AUDIO Q 210 HYBRID SHOTGUN MICROPHONE KIT

The Que Audio Q 210 Hybrid Shotgun Microphone Kit provides accessories for run and gun shooting and location booming with the flexibility to easily switch between prosumer gear that utilize a 3.5mm mic input and pro video cameras mixers with XLR connectors.

RCA 44-A MI-4025 ribbon bi-directional microphone.jpg

RCA 44-A RIBBON VELOCITY MICROPHONE

The RCA series of ribbon microphones and particularly the RCA 44-A have been in use since the 1930s and are renowned for delivering a natural tone and smooth velvety sound; remains a widely used microphone for general studio applications.

RCA 44-B MI-4026-A ribbon bi-directional microphone.jpg

RCA 44-B Velocity Ribbon Microphone

The vintage RCA 44-B Ribbon Microphone follows in the footsteps of the RCA 44-A and remains a studio favorite for a variety of broadcasting and recording applications such as vocals and instruments and for spoken word.

" ribbon bi-directional microphone.jpg

RCA 74-B “Junior” Ribbon Microphone

The vintage RCA 74-B Junior Velocity Bi-directional Ribbon Microphone represents the smaller version of the RCA 44-BX and is an optimal choice for audition studios and announce positions; an attractive classic microphone.

RCA 77-A MI-3025-A uni-directional ribbon microphone.jpg

RCA 77-A Ribbon Microphone

The rare vintage RCA 77-A Ribbon Microphone features a fixed unidirectional pattern and is an enduring studio favorite for recording vocals, guitar, and horns; known as the grand-daddy of the ribbon microphone.

RCA 77B.jpg

RCA 77-B Ribbon Microphone

The RCA 77B Uni-Directional Ribbon Microphone combines two different types of ribbons for a more uniform frequency response and a perfect cardioid pattern; a favorite in the studio for horns, guitar and vocals.

imgres.jpg

RCA 77-C Ribbon Microphone

The RCA 77-C Ribbon Microphone features two different types of ribbons with an external rotary switch for 3 selectable patterns and is used especially on-stage for capturing spoken word, vocals, horns — applications that require good pick-ups under high reverberatory conditions.

" switchable multi-pattern ribbon microphone.jpg

RCA 77-C1 Multi-Pattern Ribbon Microphone

The rare RCA 77-C1 Multi-Pattern Ribbon Microphone was designed to provide the equivalent of three microphones via the turn of a switch in the base; its exceptionally fine frequency response makes it ideal for a variety of stage and studio vocal recording applications.

RCA 77-D MI-4045 poly-directional ribbon microphone .jpg

RCA 77D Poly-Directional Ribbon Microphone

The RCA 77-D Poly-Directional Ribbon Microphone features a 6-position screw switch on the wind screen in addition to three frequency response settings and is intended for use in broadcast studios, for music and voice; familiar as the mic used on television shows such as Larry King Live or the Late Show with David Letterman

RCA 77DX.jpg

RCA 77-DX Poly-Directional Ribbon Microphone

The RCA 77-DX Poly-Directional Ribbon Microphone operates with a choice of directional patterns and a 3-position voice-music switch; ideal for broadcast use in radio or television studios as a general announce microphone or for recording musical instruments.

RCA 88A bambi 2.jpg

RCA 88-A Pressure Microphone

The RCA 88-A Pressure Microphone was specially designed to provide a lightweight yet rugged smaller sized remote microphone with good frequency response and relative freedom from wind and moisture; also adaptable for non-directional uses in a variety of studio recording applications.

imgres.jpg

RCA BK-1A Pressure Microphone

The RCA BK-1A Pressure Microphone aka “the Commentator” was designed to be a modern-looking replacement for the RCA 88-A with similar features such as rugged design and non-directional frequency response; well-known for use on vintage television and radio news and entertainment programs.

" lavalier style omni ribbon microphone.jpg

RCA BK-4A STARMAKER MICROPHONE

The slender and easily concealed RCA BK-4A Starmaker Microphone was especially designed for television or live performance applications and features an extremely wide frequency range and high sensitivity making it suitable for music and voice recording.

imgres.jpg

RCA BK-5B UNIAXIAL RIBBON MICROPHONE

The RCA BK-5B Uniaxial Ribbon Microphone features an unobtrusive light weight design and is suitable for both speech and music in a variety of broadcast and recording applications and public address; a blast filter reduces damage to the microphone from exceptionally violent noises such as gun blasts.

RCA BK-6B MI-11017A omni-directional dynamic microphone with lavaliere 2.jpg

RCA BK-6B MINIATURE DYNAMIC MICROPHONE

The vintage RCA BK-6B Miniature Dynamic Microphone is designed for television broadcasting interviews and public address applications; features a hands free option with a clip type lanyard for looping about the neck.

RCA BK-10B MI-11018-dual ribbon Ultradirectional microphone.jpg

RCA BK-10A ULTRADIRECTIONAL RIBBON MICROPHONE

The RCA BK-10A Ultradirectional Dual Ribbon Microphone features directional characteristics for increasing the signal to noise ratio of the microphone making it particularly ideal for recording under adverse conditions during television or radio broadcasts and general recording and public address; aka the Perry Como microphone.

imgres.jpg

RCA BK-11A VELOCITY MICROPHONE

The bi-directional RCA BK-11A Velocity Microphone is ideal for television and radio studio recording applications, provides exceptionally smooth frequency response and features a three position voice-music switch.

RCA 44-BX velocity ribbon bi-directional microphone.jpg

RCA TYPE 44-BX VELOCITY MICROPHONE

The vintage bi-directional RCA Type 44-BX Velocity Microphone features a flat frequency response and is specially designed for both voice and music in broadcast studio recording applications.

imgres.jpg

RCA KB-2C “BANTAM” VELOCITY MICROPHONE

The RCA KB-2C “Bantam” Velocity Microphone features an unobtrusive design and is ideal for use in radio and television broadcast studios or in remote recording where the full view of the artist’s face is essential.

" uni-directional ribbon microphone.jpg

RCA KU-2A “SKUNK” UNI-DIRECTIONAL MICROPHONE

The RCA KU-2A “Skunk” Uni-Directional Velocity Microphone is notable for the white stripe on its back and for its use on sound stages in many well-loved films over the years; still used for applications where a smooth ribbon-microphone “sound” is desired.

RCA KU3-M1-10001.jpg

RCA KU-3A MI-10001 UNI-DIRECTIONAL MICROPHONE

The RCA KU-3A MI-10001 Uni-Directional Microphone is designed for sound-film recording featuring a smooth ribbon-microphone sound reproduction over a wide audio range making it ideal for both vocals and music.

RCA PB-31.jpg

RCA PHOTOPHONE TYPE PB-31 RIBBON MICROPHONE

The RCA Photophone Type PB-31 is the first ribbon microphone and was the inspiration for the succession of RCA ribbon and velocity microphones that followed; also known as the Radio City Music Hall Microphone.

RCA PB-90.jpg

RCA TYPE PB-90 VELOCITY MICROPHONE

The RCA Type PB-90 Velocity Microphone features strong construction with a wide frequency range and high output making it ideal for a variety of general broadcast recording applications.

RCA SK46 rev.jpg

RCA TYPE SK-46 PROGRAM VELOCITY MICROPHONE

The RCA Type SK-46 Program Velocity Microphone features excellent response in a versatile small size and is designed for radio and television studio control room announcing whether in an announce booth or on-stage.

imgres.jpg

RODE NT-1 CARDIOID CONDENSER MICROPHONE

The RODE NT-1 1” Cardioid Condenser Microphone features the HF6 capsule and is designed to provide detailed midrange response with smooth highs and warm bass; can operate from phantom power in the 24V to 48V range.

imgres.jpg

RODE NT1000 STUDIO CONDENSER MICROPHONE

The Rode NT1000 1” Studio Condenser Microphone features the HF2 capsule and cardioid polar pattern with full frequency response and delivers exceptional performance when recording both vocals and instruments such as grand piano and drum overheads.

imgres.jpg

ROYER R-121 STUDIO DYNAMIC RIBBON MICROPHONE

The Royer R-121 Studio Dynamic Ribbon Microphone features high SPL capabilities and a warm tone with flat frequency response and is ideal for a variety of vocal or instrument recording applications; bidirectional.

ROYER R-122 rev.jpg

ROYER R-122 RIBBON MICROPHONE

The Royer R-122 Live Active Ribbon Microphone features phantom powered circuitry with high SPL capabilities which provides a slightly tighter low-end response than the R-121; use for recording vocals, choirs and orchestras, drum overheads, acoustic instruments, and particularly on quiet sound sources.

imgres.jpg

ROYER SF-24 STEREO RIBBON MICROPHONE

The Royer SF-24 Stereo Active Ribbon Microphone features high SPL capabilities due to Royer’s exclusive electronic ribbon technology and is ideal for live performances anywhere on stage.

Sanken COS11.jpg

SANKEN COS-11 LAVALIER MICROPHONE

The Sanken COS-11 Omnidirectional Lavalier Microphone features a maximum SPL rating of 136dB with a wide frequency response and is ideal for recording vocals and instruments in professional broadcast or theatrical and performance applications; various colors and accessories.

Sanken with zepp.jpg

SANKEN CS-3E SHOTGUN MICROPHONE

The Sanken CS-3E Shotgun Microphone features high super-cardioid directivity and is an exceptional location and studio shotgun mic for both camera or boom mounting applications; with Rycote windshield.

Sanken CUB-01Gy.jpg

SANKEN CUB-01GY BOUNDARY MICROPHONE

The Sanken CUB-01GY Boundary Microphone features a square-shaped cardioid capsule that enlarges the area of the diaphragm resulting in a full-bodied sound quality synonymous with large diaphragm condenser mics; ideal for recording applications such as conferences and boardrooms, news broadcasts, films.

Schertler DYN-P-P48 image.jpg

SCHERTLER DYN-P-P48 PIANO MIC

The Schertler DYN-P-P48 fully balanced active dynamic contact microphone is specially designed to reproduce the wide frequency range and complex sound qualities of the piano; suitable for use with both upright and grand pianos.

imgres.jpg

Schoeps CMC52/62 / 521/621

Condenser, omnidirectional or wide cardioid, 48v

imgres.jpg

Schoeps CMC54/64 / 541/641

Condenser, cardioid or hypercardioid, 48v

Schoepps RIM rev.jpg

SCHOEPS BLM 3 BOUNDARY MICROPHONE

The Schoeps BLM 3 Boundary Layer Microphone captures audio in critical applications such as film and stage sound pickup recording; also suited for orchestra pits and special public address applications; features high signal-to-noise ratio and excellent reproduction of low frequencies.

Schoeps / Telefunken M201.jpg

Schoeps / Telefunken ELA M 201

Tube condenser mic Omni and Cardioid patterns.

imgres.jpg

SENNHEISER E 604 DYNAMIC CARDIOID MICROPHONE

The Sennheiser e 604 Compact Dynamic Cardioid Instrument Microphone features very high SPL capability in excess of 160dB without distortion and is optimal for recording applications such as drum sets or other percussion instruments and also all forms of brass and woodwind.

imgres.jpg

SENNHEISER E 906 DYNAMIC INSTRUMENT MICROPHONE

The Sennheiser e 906 Super-Cardioid Dynamic Instrument Microphone features a 3-position switchable presence filter and provides lively full sound when recording guitar amps or percussion and horns.

imgres.jpg

SENNHEISER MD 409 DYNAMIC MICROPHONE

The Sennheiser MD 409 Dynamic Pressure Gradient Microphone features good acoustical separation of individual instruments and undistorted transmission of power instruments and instrument amplifiers; is ideal for use with percussion and brass instruments.

images.jpg

SENNHEISER MD 421 DYNAMIC MICROPHONE

The classic Sennheiser MD 421 Cardioid Dynamic Microphone is ideal for vocals and instruments in all live sound applications; 5-position bass roll-off switch, frequency response of 30 to 17,000 Hz.

imgres.jpg

SENNHEISER MD 431 DYNAMIC MICROPHONE

The Sennheiser MD 431 Super-Cardioid Dynamic Microphone features exceptional feedback rejection and is ideal for live vocals and broadcasting applications.

imgres.jpg

SENNHEISER MD 441 DYNAMIC MICROPHONE

The Sennheiser MD 441 Supercardioid Dynamic Microphone is a well-known studio standard perfect for vocals and virtually every instrument; featuring a five-way high-pass filter and “brilliance” switch on the mic body that enables a broad 5-7dB boost from 2.2kHz-20kHz; withstands very high SPL without overload.

Sennheiser MKE-2 mic.jpg

SENNHEISER MKE 2 LAVALIER MICROPHONE

The Sennheiser MKE 2 Omnidirectional Clip-On Lavalier Microphone features a wide frequency and high sensitivity response and is a top choice to use with wireless microphone systems for stage performances, video and film shoots.

Sennheiser MKE-40 Lav.jpg

SENNHEISER MKE 40 LAVALIER MICROPHONE

The classic Sennheiser MKE 40 Cardioid Clip-On Lavalier Microphone features pronounced directivity with excellent speech intelligibility and high feedback rejection and is ideal for both vocal and instrument recording applications; outstanding bass reproduction.

Sennheiser MKH40 P48.jpg

SENNHEISER MKH 40 CARDIOID CONDENSER MICROPHONE

The Sennheiser MKH 40 Cardioid Condenser Microphone features extremely low distortion with exceptionally balanced sound and is ideal for instrumental groups and speech applications; a versatile main microphone for acoustically imperfect rooms, switchable roll-off filter compensates for proximity effects.

imgres.jpg

SENNHEISER MKH 50 SHOTGUN MICROPHONE

The Sennheiser MKH 50 Shotgun Condenser Microphone features a super-cardioid pick-up pattern and switchable roll-off filter and is a short shotgun designed for spot capturing in recording and sound reinforcement applications such as vocals and instruments.

Sennheiser MKH-60.jpg

Sennheiser MKH-60

Condenser, short shotgun, 48v

Sennheiser MKH-70.jpg

SENNHEISER MKH-70

Condenser, shotgun mic 48v

imgres.jpg

Sennheiser MKH416P48

Condenser, short shotgun, 48v

imgres.jpg

Sennheiser MKH815/816T

Condenser, long shotgun, T Power

Sennheiser MKH8050 rev.jpg

Sennheiser MKH 8050

Super-Cardioid Condenser Microphone. For Grand Pianos, Orchestras and Solo Vocalist

Sennheiser MKH8090.jpg

Sennheiser MKH 8090

A High-End RF Condenser Microphone with a wide pick up pattern

imgres.jpg

Shure 315

Ribbon

Shure 55S Elvis.jpg

Shure 55S

Dynamic, cardioid, "Elvis" mic

imgres.jpg

Shure 55SHII

Dynamic, cardioid

Shure 556 rev.jpg

Shure 556

Dynamic, cardioid

imgres.jpg

Shure Beta 52

Dynamic, supercardioid

imgres.jpg

Shure Beta 56A

Dynamic, supercardioid

imgres.jpg

Shure Beta 57

Dynamic, supercardioid

imgres.jpg

Shure Beta 58

Dynamic, supercardioid

imgres.jpg

Shure Beta 87A

Condenser, supercardioid

imgres.jpg

Shure Beta 91

Condenser, half-cardioid

imgres.jpg

Shure Beta 98D

Miniature condenser, supercardioid, drum mount

SHURE KSM8 handheld.jpg

SHURE KSM8

A Dual Diaphragm Dynamic Microphone crafted for vocal reproduction and sound reinforcement in live performances and top-tier professional venues.

imgres.jpg

Shure KSM9

Condenser, cardioid or supercardioid

imgres.jpg

Shure KSM32

Condenser, cardioid, large diaphragm

Shure KSM44A rev.jpg

Shure KSM44A

Multi-Pattern Dual Diaphragm Condenser Microphone

imgres.jpg

Shure KSM137

Condenser, cardioid

Shure KSM353:ED.jpg

Shure KSM353/ED

Premier Bi-Directional Ribbon Microphone

imgres.jpg

Shure MX412D/C

Condenser, cardioid programmable “panel style” mic

imgres.jpg

Shure SM-7

Dynamic, cardioid, switchable EQ

imgres.jpg

Shure SM-33

Supercardioid ribbon

Shure SM53.jpg

Shure SM-53

Dynamic, unidirectional

imgres.jpg

Shure SM-57

Dynamic, cardioid

imgres.jpg

Shure SM-58

Dynamic, cardioid

shure_sm59.jpg

Shure SM-59

Dynamic, cardioid

images.jpg

Shure SM-61

Condenser cardioid handheld

imgres.jpg

Shure SM-81

Condenser, cardioid

images.jpg

Shure SM-98A

Condenser, cardioid, miniature mic

imgres.jpg

Shure WB98H/C

Condenser,cardioid, miniature mic, for wireless (wireless version of Beta98H/C)

imgres.jpg

Shure Super 55

Dynamic, cardioid, chrome and blue or black and red

Shure Super 55.jpg

SHURE SUPER 55-BCR

Dynamic, cardioid

Shure Unidyne 556 Ring Mic.jpg

SHURE UNIDYNE 556 "Boxing Ring MIC"

"Boxing Ring" Hanging type, Announce Mic with pulley

imgres.jpg

Sony C37A

Studio cardioid condenser

imgres.jpg

Sony C38B

Selectable unidirectional/omnidirectional condenser

imgres.jpg

Sony C48

Large diaphragm FET with 3 different directional patterns

imgres.jpg

Sony C800G

Large diaphragm tube studio mic, cardioid or omni

SONY ECM-50.jpg

Sony ECM-50

Condenser, omni, lavalier

ECM 51.jpg

Sony ECM-51

Bob Barker "Price is Right" mic, prop only

a&dt_sndlx_e047c.jpg

Soundelux Elux 47c

Large diaphragm cardioid tube mic, comparable to Neumann U47 tube

imgres.jpg

Soundelux Elux 251

Large diaphragm cardioid tube mic, similar to Telefunken 251

imgres.jpg

Soundelux U195

Large diaphragm cardioid FET, comparable to Neuman U87 FET

imgres.jpg

Telefunken 250

Condenser, 2 pattern vacuum tube

imgres.jpg

Telefunken 251

Condenser, 3 pattern vacuum tube

imgres.jpg

Telefunken M-80

Dynamic, cardioid

Telefunken M80 Chrome.jpg

Telefunken M80 Chrome

Dynamic, cardioid in Chrome

imgres.jpg

Western Electric 618A

Dynamic, omni.

WESTERN ELECTRIC 630A omni-directional dynamic mic (film version)#2 rev.jpg

Western Electric 630A

Dynamic, omni

imgres.jpg

Western Electric 633

Dynamic, omni "Salt Shaker"

imgres.jpg

Western Electric 639a

Ribbon/ Dynamic microphone

imgres.jpg

Western Electric 639B

Ribbon/ Dynamic microphone

imgres.jpg

Yamaha Subkick

Low-frequency capture device for bass drum

Record & Playback

Otari rev.jpg

OTARI MX-5050 REEL TO REEL

Otari Reel to Reel - 7.5 & 15 IPS 1/2 track rec & playback + 1/4 playback

COBY 02 MP3 MP-CD 521.jpg

COBY CD-MP3 PLAYER

Coby CD-MP3 player

Technics Quartz SP15.jpg

Technics Quartz SP16 Turntable

Technics Quartz SP16 Turntable Quartz-locked 3-Speed

Marantz CDR-300.jpg

Marantz CDR-300

Portable ENG CD recorder

Korg MR-1.jpg

Korg MR-1

Ultra compact DSD recorder. 20Gbyte internal hard drive, 6 hours of recording at the highest audio quality (1-bit 2.8 MHz stereo), or approximately thirty hours at CD quality

Korg MR-1000.jpg

Korg MR-1000

Portable DSD recorder. 2 channels. DSDIFF, DSF, and WSD (2.8224 MHz @ 1-bit or 5.6448 MHz @ 1-bit). multi-bit PCM formats (BWF or WAV) with resolutions up to 24-bit/192 kHz

Fostex FR-2.jpg

Fostex FR-2

Portable DAT recorder

Zoom H4N rev.jpg

Zoom H4n

The H4n professional portable recorder with high quality XY stereo microphone and two XLR external inputs.

Sound Devices XL-DVDRAM.jpg

Sound Devices XL-DVDRAM

External bus-powered FireWire DVD-RAM drive for use with all 7-Series recorders.

acc_xl1394.jpg

Sound Devices XL-1394

Power conditioner for use when powering bus-powered external data drives with the 702, 702T, 722, and 744T. For use only during realtime recording to external drives

Sound Devices 702t.jpg

Sound Devices 702 T

The 702T two-track digital audio recorder is designed for portable production applications. onboard Ambient time code generator, record to convenient, removable Compact Flash cards and external FireWire drives.

788t-master smaller.jpg

Sound Devices 788T

8-track CompactFlash Recorder, FireWire, USB, Word Clock, and Time Code Generator

06ca88a0-0106-461d-bf61-0a46a472335d.jpg

360 Systems Instant Replay

Digital playback unit 50 hotkeys, analog I/O, D-net, 24 Hr hard drive

9151.jpg

360 Systems Instant Replay 2

Digital playback unit 50 hotkeys, analog I/O, WAV, 24 Hr hard drive

360 Systems Shortcut.jpg

360 Systems SHORTCUT

2 channel editor, self contained, w/ digital & analog inputs

DigiCart II 360 System rev.jpg

360 Systems DIGICART

Digital cart machine

Denon DN-2100F rev.jpg

Denon DN-2100F

Rack mount dual CD player w/ cue, S/PDIF, remote, crossfading, "CD scratch"

Marantz PMD-325.jpg

Marantz PMD-325

Rack Mount CD Player (SINGLE)

Tascam CD-01U.jpg

Tascam CD-01U

Rack Mount CD Player (SINGLE)

Alesis ML-9600.jpg

Alesis ML-9600

Masterlink- High resolution master disk recorder

Marantz CDR-300.jpg

Marantz CDR-300

Portable ENG CD recorder

Tascam CDR 200.jpg

Tascam SS-CDR200

Professional CD/Solid State recorder with remote and keyboard

athena-11-target-sata-cd-dvd-duplicator-barebone-atlas-13bay-tower-case-ily-dp-ats-d11b128b-duplicate-controller-combo-6.jpg

ILY Athena

1 x 11 bay DVD Duplicator

Max Optical CD8PO.jpg

Max Optical CD8PO

7 Bay CD Duplicator

Panasonic SV-3800.jpg

Panasonic SV-3800

DAT Recorder, w/ jog wheel

Alesis HD24.jpg

Alesis HD24

24 bit 24 track hard disk recorder (IDE)

JoeCo Blackbox Balanced Analog I:O.jpg

JoeCo Blackbox Balanced Analog I/O

24 bit 24 track hard disk recorder (external USB2 7200rpm hard disk) with balanced analog I/O

JoeCo Blackbox Unbalanced Analog I:O.jpg

JoeCo Blackbox Unbalanced Analog I/O

24 bit 24 track hard disk recorder (external USB2 7200rpm hard disk) with unbalanced analog I/O

Tascam CDRW 901.jpg

Tascam CDRW 901

Professional CD Recorder w/MP3 Playback • Bal. Analog I/O • AES/EBU Digital I/O • Timed Track Increment • Cascadable for extended recording time

Tascam CDRW 2000.jpg

Tascam CDRW 2000

Professional CD recorder.

Tascam CD D4000 rev.jpg

Tascam CD-D4000

CD Duplicator

Tascam DA-P1.jpg

Tascam DA-P1

Portable recorder w/ headset

Tascam DA-60 MKII rev.jpg

Tascam DA-60 MK II

Timecode DAT, Batch Digitizes w/ AVID

TASCAM DA-6400 alpha.jpg

TASCAM DA-6400 64-TRACK RECORDER

The DA-6400 is a universal backup recording system for up to 64 audio tracks received from a Digital Audio Workstation or live mixing console. The recorder can be used with a variety of interface boards like MADI, DANTE, DigiLink, AVB or AES/EBU to integrate flawlessly into virtually any environment. Use Tascam's DA-6400 Control for iPad!

Tascam DA88.jpg

Tascam DA-88

8 track digital recorder, "Hi-8" tape w/ SMPTE

Tascam DA-98HR.jpg

Tascam DA-98HR

8 track digital recorder w/ confidence head

Alesis ADAT II rev.jpg

Alesis ADAT XT20

8 track digital recorder S-VHS tape w/ ELCO -XLR

Tascam X-48.jpg

Tascam X-48

96 channels recording, 232 mixing, HD video up to 4:2:2, intuitive hardware interface, MADI I/O

Fairlight Xynergi.jpg

Fairlight Xynergi

96 channels recording, 232 mixing, HD video up to 4:2:2, intuitive hardware interface, MADI I/O

Avid / ProTools - Various

All Protools systems are custom configured with Intel Macs. Please call to have us put together a system for you.

Pioneer CDJ-1000mkll.png

Pioneer CDJ-1000mkII

Digital Vinyl Turntable (CD) player, 3 cue points per disc, reverse, real time looping, touch sensitive 7" platter , digital & analog o/p.

Pioneer DJM-600.png

Pioneer DJM-600

4 channel professional DJ mixer

Denon DN720 R.jpg

Denon DN720 R

2 track cassette w/ Dolby B & C, HX Pro

Converters

Apogee AD-16x.jpg

Apogee AD-16X

16 channel A/D interface, 192kHz, 24bit, UV22, AES, ADAT, optional Firewire or Pro Tools Digilink cards

Apogee DA-16X.jpg

Apogee DA-16X

16 channel D/A interface, 192kHz, 24bit, UV22, AES, ADAT, optional Firewire or Pro Tools Digilink Cards

Apogee Rosetta 800.jpg

Apogee Rosetta 800

8 channel A/D, D/A converter, AES, optical, HD.

MOTU V4HD.jpg

MOTU V4HD

8 channel Firewire Audio interface A/D D/A w/ video, optical

Otari FS96.jpg

Otari FS96

24 channel, T/DIF, ADAT, AES/EBU, S/DIF-2 conversion

RME ADI-6432.jpg

RME ADI-6432

AES, MADI optical / MADI coaxial converter, 44 to 192kHz

Solid State Logic MADI Opti-Coax rev.jpg

SSL Madi Optic-Coax

MADI optical to MADI coax converter

SSL X-LOGIC DELTALINK rev.jpg

SSL X-Logic Deltalink

MADI optical to Avid Pro Tools digitlink converter

Yamaha NAI48-ES rev.jpg

Yamaha NAI48-ES

AES to Ethersound converter

Yamaha NHB32-C rev.jpg

Yamaha NHB-32-C

AES to Cobranet converter

Surround Sound

Baldwin Prod. Masterpot 7.1 rev.jpg

Baldwin Prod. Masterpot 7.1

7.1 Monitor Level Control

Blue Sky BMC.jpg

Blue Sky BMC

5.1 bass management controller with remote

Denon 7100.jpg

Denon 7100

7.1 receiver/ decoder/ controller

Denon DVD-1600.jpg

Denon DVD-1600

DVD-Audio/DVD-Video player

Dolby DMA8.jpg

Dolby DMA8

5.1 or 7.1 Digital Decoder; AC-3 Dolby Digital, Dolby E

DMA8Plus.jpg

Dolby DMA8 Plus

5.1 or 7.1 Digital Decoder; AC-3 Dolby Digital, Dolby E, Dolby Pro Logic

Dolby DP562 rev.jpg

Dolby DP562

5.1 Digital Decoder; AC-3 Dolby Digital

Dolby DP569.jpg

Dolby DP569

5.1Digital Encoder; AC-3 Dolby Digital

Dolby DP571.jpg

Dolby DP571

7.1Digital Encoder; Dolby E

Dolby DP572.jpg

Dolby DP572

7.1Digital Decoder; Dolby E

SRS Labs CSE-07D.jpg

SRS Labs CSE-07D

SRS 5.1 encoder

SRS Labs CSD-07D.jpg

SRS Labs CSD-07D

SRS 5.1 decoder

Sony DVP-S530D.jpg

Sony DVP-S530D

DVD/CD Player w/ 5.1 analog output

DSP

Yamaha DME 64.jpg

Yamaha DME 64

Programmable, Networkable Mixing Engine

Yamaha DME32.jpg

Yamaha DME 32

Digital Mixing Engine

QSC DSP-3.jpg

QSC DSP-3

Attachable EQ / crossover card for use with QSC PLX series amplifiers. Requires PC with software to use

QSC DSP-30.jpg

QSC DSP-30

2 channel digital signal processor with Combo XLR input/output

connectors, 1 RU

Analysis

shure axient AXT600.jpg

Shure Axient AXT600 Spectrum Manager

The AXT600 Axient Spectrum Manager delivers wide-band UHF spectrum scanning, spectrum analysis and compatible frequency coordination—all in a single rack unit.

Audio Control SA-3052.png

Audio Control SA-3052

Portable 1/3 octave RTA, AC/DC

Brainstorm DCD8.jpg

Brainstorm DCD-8

Wordclock distripalizer

Brainstorm SR15.jpg

Brainstorm SR15

Timecode analyzer,stripper distributor

Dorrough 1200.jpg

Dorrough 1200

Stereo test set

Dorrough 280-E.jpg

Dorrough 280-E

60dB scale, VU & PEAK reading 2 channel meter, AES-EBU

Dorrough 40-A.jpg

Dorrough 40-A

VU & PEAK reading large scale meter

Headsets & Headset Systems

Audio Technica ATH-M50X.jpg

Audio-Technica ATH-M50x

Audio-Technica Professional Monitor Headphones

Beyer DT-102.jpg

Beyer DT-102

Single ear, 2000Ω

Beyer DT-108.jpg

Beyer DT-108

Single ear with mic

Beyer DT-109.jpg

Beyer DT-109

Dual ear with mic

Beyer DT 770.jpg

Beyer DT-770

Stereo, 600Ω

David Clark headphones.jpg

David Clark Headphones

Intercom Headset for extremely loud situations

Sennheiser HS 25 headphones.jpg

Sennheiser HD 25 Headphones

Capable of handling very high sound pressure levels and of extremely robust construction, these headphones perform exceptionally well in loud environments, e.g. ENG, sound reinforcement, studio monitoring and audio equipment testing. Ideal monitoring headphones for cameramen and DJs.

Sennheiser IEM-4.jpg

Sennheiser IEM-4

Stereo ear monitors

Shure E5.jpg

Shure E5

Stereo ear monitors

Shure E3.jpg

Shure E3

Stereo headset

Sony MDR-7506.jpg

Sony MDR-7506

Stereo headset

Telex PH-44.jpg

Telex PH-44

Dual listen lightweight headset for RTS

Telex PH-88.jpg

Telex PH-88

Lightweight headset for use w/ wireless intercom (4pinF)

Headphone Amps & Wired In-Ear Monitors

Aviom A16II rev.jpg

Aviom A16II

16 channel headphone mixer w/ pan, eq, volume per channel

Aviom A16:i.png

Aviom A16/i

16 channel analog to A-Net input module

Aviom A16:o  (v4?).jpg

Aviom A16/o

16 channel A-Net to analog output module

Aviom 6416Y2.png

Aviom 6416Y2

16 channel YGDAI to A-Net card (yamaha protocol)

A-16D-Pro_29_800_front.jpg

Aviom A16D Pro

A-Net & power distribution for up to 8 mixers

Hear Tech Hearback Hub.jpg

Hear Tech. Hearback Hub

8 channel analog & optical to Hearbus interface

Hear Tech Hearback Mix.jpg

Hear Tech. Hearback Mix

8 channel mixer with limiter, stereo aux inputs, stereo line out.

Rane HC-6 rev.jpg

Rane HC-6

Powered 6 station headphone amplifier

Simons CB-4 rev.jpg

Simons CB-4

Shure P6HW.jpg

Shure P6HW

Hardwired in-ear monitor, stereo. E5 or E3 earpieces available

Whirlwind J-Box.jpg

Whirlwind J-Box

Studio J-box, 6 out

Whirlwind Medusa.jpg

Whirlwind Medusa Headphone distribution box

Headphone distribution box with 6 1/4 inch headphone outs.

Synchronization & Time Code

Aardvark Aardsysnc II.jpg

Aardvark Aardsync II

Video to word sync converter, x2 (96k), 50.05 options

Antelope Isochrone Trinity.jpg

Antelope Isochrone Trinity

High definition word clock

Apogee Big Ben.jpg

Apogee Big Ben

Master clock

Brainstorm DCD8.jpg

Brainstorm DCD-8

Reshapes, strips, & analyzes timecode

COMTEK PR-72b rev.jpg

Comtek PR72/M72B

VHF wireless link for timecode slate

Denecke TS-1 sm.jpg

Denecke TS-1

Timecode Slate

Denecke TS-3 sm.jpg

Denecke TS-2(SB)

Timecode slate w/ jam sync

Denecke TS-C.jpg

Denecke TS-C Compact Timecode Slate

The Denecke TS-C is a compact full featured smart slate, capable of reading, generating and displaying SMPTE/EBU time code. Its new compact size makes the TS-C ideal for documentary work, insert shots, or anywhere a big slate is too cumbersome. The TS-C jams to all standard frame rates, including 23.976 for HD.

EECO.jpg

EECO TCR-66

Timecode reader

TCG10.jpg

Evertz TCG-10

SMPTE timecode generator, character generator

Gray DTR-213 rev.jpg

Gray DTR-213

SMPTE timecode generator, character generator, user bits

Gray DTR313.jpg

Gray DTR-313

SMPTE timecode generator, user bits

LUCID SSG192.jpg

Lucid SSG192

PAL/NTSC black burst generator w/word sync

Sigma 100A.jpg

Sigma 100A

Video black burst generator, w/ pull up & pull down

Sigma CSG-365A.jpg

Sigma 365A

Color sync generator w/ genlock & color bars

Sigma 365A with mod.jpg

Sigma 365A w/ mod

Color sync generator w/ 29.97/30 FPS option

EQ

Avalon VT737sp rev.jpg

Avalon VT737sp

1 channel Class A vacuum tube preamp with sweepable EQ and opto-compression

Avalon VT747sp rev.jpg

Avalon VT747sp

1 channel Class A vacuum tube preamp with 6-band program EQ and opto-compression

BSS FDS-334.jpg

BSS FDS334

2 channel crossover w/ limiting

GML 8200.jpg

GML 8200

2 channel parametric EQ

Klark-Teknik DN-360B.jpg

Klark-Teknik DN-360B

30 band dual channel graphic, boost & cut, w/ transformers

Klark-Teknik DN-410B.jpg

Klark-Teknik DN-410B

Dual channel, 5 band parametric EQ

Lafont LP24.jpg

Lafont LP24

3 notch dip filter, HPF, LPF

Manley Massive Passive EQ.jpg

Manley Massive Passive

passive EQ w/tube make up stage (2 channel)

Rane AC23B.jpg

Rane AC23B

3 channel crossover

Yamaha Q-2031B rev.jpg

Yamaha Q-2031B

31 band graphic EQ, dual channel

Yamaha YDP2006.jpg

Yamaha YDP2006

40 memory digital parametric, MIDI

Yamaha D1030.jpg

Yamaha D1030

Digital EQ & line delay

Dynamics Processors

Aphex 300 rev.jpg

Aphex 300

"Compellor", 2 channel

Aphex 651.jpg

Aphex 651

"Expressor", 1 channel

Aphex (700):720.jpg

Aphex 700/720

"Dominator", 2 channel

Aphex 9651.jpg

Aphex 9651

“Expressor” 1 channel

Avalon 2044.jpg

Avalon 2044

Class A opto- compressor

Avalon VT737sp.jpg

Avalon VT737sp

1 channel Class A vacuum tube preamp with sweepable EQ and opto-compression

Avalon VT747sp.jpg

Avalon VT747sp

1 channel Class A vacuum tube preamp with 6-band program EQ and opto-compression

BSS DPR402.jpg

BSS DPR402

2 channel limiter / De-esser

Chandler TG-1.jpg

Chandler TG-1

Abbey Road compressor

DBX 1066.jpg

DBX 1066

2 channel compressor/ limiter with noise gate

DBX 160AD.jpg

DBX 160AD

2 channel compressor/ limiter

DBX 162.jpg

DBX 162

2 channel compressor/ limiter

DBX 166XL.jpg

DBX 166XL

2 channel compressor/ limiter with noise gate

dbx 903 rev.jpg

DBX 903

2 compressor / limiter module

Fairchild 660.jpg

Fairchild 660

1 channel variable mu tube compressor/limiter

Fairchild 670.jpg

Fairchild 670

2 channel variable mu tube compressor/limiter

GML 8900.jpg

GML 8900

2 channel compressor/ limiter

Manley Variable MU.jpg

Manley Variable MU

Vacuum tube Fairchild type compressor

Summit DCL200 rev.jpg

Summit DCL-200

2 channel vacuum tube compressor/ Limiter

Summit TLA-100a.jpg

Summit TLA-100a

1 channel vacuum tube compressor

TC Electronics Finalizer.jpg

TC Electronics Finalizer

Mastering 3 band dynamics & EQ, 96 kHz

Teletronics LA2A.jpg

Teletronics LA2A

1 channel tube opt-compressor leveling amplifier

UREI 1176.jpg

UREI 1176

Peak limiter

Waves Maxx BCL rev.jpg

Waves Maxx BCL

Bass enhancer, compressor, limiter

Noise Filters

Aphex 622.jpg

Aphex 622

2 channel Dynamic processor

Cedar Cambridge rev.jpg

Cedar Cambridge

24 bit 96 KHz multi-process noise filter, 8 channel

ceder dns 2.jpg

CEDAR DNS 2 DIALOGUE NOISE SUPPRESSOR

The CEDAR DNS 2 features dialogue noise suppression technology to eliminate general background noise and help compensate for unfavorable acoustic conditions and poor microphone placement; use in location recording, broadcasting, theaters, concert halls, conference venues, and houses of worship. Features analog and digital inputs and outputs, AC/DC power.

Cedar DNS 1000 rev.jpg

Cedar DNS 1000

1000 2 channel AES/EBU dynamic noise filter

Cedar DNS 1500.jpg

Cedar DNS 1500

Dynamic Noise filter- AES or SPDIF

Cedar DNS2000.jpg

Cedar DNS 2000

Dialogue noise suppressor for Pro Tools- USB

Cedar DNS 3000.jpg

Cedar DNS 3000

Fully automated Dialogue noise suppressor for Pro Tools

Cedar DNS One.jpg

Cedar DNS ONE

Dialogue noise suppressor plug-in for Pro Tools

DBX 902.jpg

DBX 902

De-Esser module

DBX 904.jpg

DBX 904

Noise gate module

Drawmer DS201.jpg

Drawmer DS201

2 channel noise gate

Orban 516EC.jpg

Orban 516EC

3 channel De-Esser

Roland SN-550 Digital Noise Eliminator.jpg

Roland SN-550

Digital noise eliminator

FX

Antares ATR1 rev.jpg

Antares ATR1

Vocal effects processor; autotuner

Eventide DSP4000.jpg

Eventide DSP4500

Multi effects processor

Eventide H3000SE.jpg

Eventide H3000SE

Digital/analog effects, MIDI

Lexicon 480L.jpg

Lexicon 480L

2 x 4 channel multi effects processor

Lexicon 960L.jpg

Lexicon 960L

8 x 8 channel multi effects processor

Lexicon PCM42 rev.jpg

Lexicon PCM 42

Digital reverb-limited bandwidth MONO

Lexicon PCM60.jpg

Lexicon PCM 60

Digital reverb-limited bandwidth

Lexicon PCM70.jpg

Lexicon PCM 70

Digital effects processor, MIDI capable

Lexicon PCM80.jpg

Lexicon PCM 80

Digital effects processor, MIDI capable

Lexicon PCM81.jpg

Lexicon PCM 81

Digital effects processor, MIDI capable

Lexicon PCM90.jpg

Lexicon PCM 90

Digital effects processor, MIDI capable

Roland SDE3000.jpg

Roland SDE3000

Digital delay

Neve 5045.jpg

Rupert Neve Portico 5045 "Magic Box"

Primary Source Enhancer

TC Electronics TC-2290.jpg

TC Electronics TC-2290

Dynamic digital delay

TC Electronics M6000 System.jpg

TC Electronics M6000 System

6000 12 channel in/out (digital/analog--assigned separately)

Yamaha D-1030.jpg

Yamaha D-1030

Digital delay, 1 in, 3 out

Yamaha Rev5.jpg

Yamaha Rev 5

Digital reverb, full bandwidth, MIDI

Yamaha Rev7.jpg

Yamaha Rev 7

Digital reverb, MIDI

Yamaha SPX 90.jpg

Yamaha SPX 90

Digital effects processor, 2 channel

Yamaha SPX990.jpg

Yamaha SPX 990

Digital effects processor, 20 bit, 2 channel

Yamaha SPX2000.jpg

Yamaha SPX 2000

Digital effects processor, 24 bit, 96 kHz+C338, 2 channel AES & analog output

Microphone Preamps

NEVE 1073.jpg

Neve 1073 Mic Pre

2 channel Class A mic pre

AEA TRP.jpg

AEA TRP

2 channel ultra high-gain & impedance FET ribbon mic preamp

API 512c.jpg

API 512c

2 channel mic to line amplifier module

Aphex 107.jpg

Aphex 107

“Tubessence” 2 channel mic pre

Avalon VT737sp.jpg

Avalon VT737sp

1 channel Class A vacuum tube preamp with sweepable EQ and opto-compression

Avalon VT747sp.jpg

Avalon VT747sp

1 channel Class A vacuum tube preamp with 6-band program EQ and opto-compression

Beyer MV100.jpg

Beyer MV100

2 channel mic pre, DC

Chandler Passive TG.jpg

Chandler Passive TG

1 channel Abbey Road mic pre with 3-band progressive Q EQ

Chandler Germanium.jpg

Chandler Germanium

1 channel Class A mic pre

Chandler TG2.jpg

Chandler TG2

2 channel Abbey Road mic pre

Focusrite Saffire PRO 40.jpg

Focusrite Saffire PRO 40

8 channel mic pre A/D with +48v phantom power and 10 output D/A, 96kHz, 24bit, ADAT, Firewire

Grace Labs 801.jpg

Grace Labs 801

8 channel mic pre

M-Audio Octane.jpg

M-Audio Octane

8 channel mic pre A/D, 48kHz, 24bit, ADAT

Manley Mic Pre.jpg

Manley Mic Pre

2 channel mic to line amplifier

Manley Vox Box.jpg

Manley VOX BOX

1 channel, vacuum tube, EQ

Millennia HV-3C.jpg

Millennia HV-3C

2 channel mic to line amplifier

NEVE 1272.jpg

Neve 1272

2 channel Class A mic pre

Presonus ACP-88.jpg

Presonus ACP-88

8 channel mic pre

Presonus Digimax.jpg

Presonus Digimax

8 channel mic pre A/D with direct outputs, 48kHz, 24bit, ADAT

Summit TPA-200B.jpg

Summit TPA-200B

2 channel, vacuum tube

Yamaha AD-8HR rev .jpg

Yamaha AD-8HR

24 bit, 96K 8 Channel A/D with 8 Mic Pre/+48v and AES/EBU output

Microphone Accessories

AEA Decca Tree.jpg

AEA Decca Tree

2x1 meter array

AEA MS-38 rev.jpg

AEA MS-38

2 CH M/S dual matrix

AEA SMP-S rev.jpg

AEA SMP-S

Calibrated stereo bar

AKG H17A with 414 rev.jpg

AKG H17A

Metal shockmount/ windscreen for 414 for outdoor use

AKG VR1 rev.jpg

AKG VR-1

Podium extension for C-451, C-452, and C-460

AKG VR2.jpg

AKG VR-2

Floor extension for C-451, C-452, and C-460

Atlas DS-14.jpg

Atlas DS-14

"Horseshoe" desk stand

Atlas DS-7.jpg

Atlas DS-7

Desk stand 8-13"

ATLAS MS-12 rev.jpg

Atlas MS-12

Mic stand

ATLAS MS25 extended.jpg

Atlas MS-25 extended

Heavy base mic stand, 10 ft. 8in.

ATLAS SB-36.jpg

Atlas SB-36

70" high & 62" long studio boom

Atlas TS-8.jpg

Atlas TS-8

Banquet stand 14-26"

Beyer GST500.jpg

K&M 211, Beyer GST500

Mic boom, collapsible

Beyer GST500.jpg

K&M 210/9, Beyer GST500

Mic stand, tripod

Beyer ST1532.jpg

Beyer ST1532

18' lightweight tripod stand

Crown PH-4 48V.jpg

Crown PH-4 48V

4 channel supply

DPA 4099 Instrument Clip.jpg

DPA 4099 Instrument Clips

Violin/viola, cello, bass, piano, guitar, brass and universal clips available

DPA DUZ0002 Shock Mount Kit for DVote.jpg

DPA DUZ0002 Shock Mount kit for D:Vote Mics

Shock Mount kit for D:Vote mics

DPA SM4099 stand mount.jpg

DPA SM4099 Stand Mount

DPA Mic Stand Mount for DPA D:Vote 4099 Instrument Mics

mbho jecklin disc rev.jpg

MBHO Jecklin Disc

Disc Mic mount for spaced omnis using OSS technique

Perche 20 and 5.5 Boom Poles.jpg

Perche 20 ft Boom Pole

Perche 20 foot boom pole

PSC Boompole rev.jpg

PSC Boompole

Boom Pole, 12 FT

PSC PH48.jpg

PSC PH48

48V battery power supply

RCA KS-3B Vintage Studio Boom.jpg

RCA KS-3B

Vintage studio boom, 15 ft. reach

RCA 90A Mic Stand.jpg

RCA 90A

Heavy base adjustable mic stand

Sony Parabolic rev.jpg

Sony PBR-330

Parabolic Dish

TRIAD TM MINI BLACK LINE.jpg

Triad Mini Tripod

Perfect for kick drums, combo amps and where a low profile and small footprint stand is needed.

TRIAD-ORBIT GB-3 Grav Bags Ballast Bags.jpg

Triad-Orbit GB-3 Gray Bags

Ballast bags for mic stands.

Triad-Orbit IO-R.jpg

Triad-Orbit IO-R

Quick Change Coupler

Triad-Optic M1.jpg

Triad-Orbit M1 adapter

Triad-Orbit Micro 1 Orbital Hanging Mic Hanger with Quick Change Coupler.

Triad-Optic M1.jpg

TRIAD-ORBIT M1 SWIVEL ADAPTER

Triad-Orbit Swivel Adapter for hanging mics, better focusing of mics.

Triad-Orbit O2.jpg

Triad-Orbit O2 Dual Orbital Boom

Add two booms to your mic stand.

TRIAD T1 Short Stand.jpg

Triad-Orbit Triad T1 Mic Stand

Short Tripod-Perfect for floor toms, orchestral setups, seated musicians.

TRIAD T2 Front Line Mic Stand.jpg

Triad-Orbit Triad T2 Front Line Mic Stand

Standard Tripod

Vandenbergh VDBLCC.jpg

Van den Bergh VDBLCC Boompole

20 FT boom pole w/ coiled cable

Pick-Ups, Contact Mics & Direct Boxes

barcus berry 4000+.jpg

Barcus Berry PRO 4000+

Planar wave piano/harp pickup system

Countryman DT85 rev.jpg

Countryman DT85

Active direct box

Fishman BP-100.jpg

Fishman BP-100

Upright bass pickup

Fishman C-100.jpg

Fishman C-100

Cello pickup

Fishman SBT-HP.jpg

Fishman SBT-HP

Harp/piano pickup

Radial J48 rev.jpg

Radial J48

Active direct box

Whirlwind Director.jpg

Whirlwind Director

Passive direct box

AC Distro

Furman PL-PLUS.jpg

Furman PL-PLUS

1 rack space AC distribution, lights

Far Outlet Model 250.jpg

Galaxy Far Outlet 2

300 watt DC to AC inverted power supply

Motion Lab cam 5 rev.jpg

Motion Labs CAM-5

3 Phase, 200 Amp Power Distro

Motion Labs RAC-PAC.jpg

Motion Labs RAC-PAC

3 rack space 50A/240V single phase; 6 20 amp circuits+ aux

TrippLite 1500 LCD.jpg

TrippLite 1500LCD

1500VA 8-Outlet UPS

Peterson Yellow Jackets 4 channel.jpg

Peterson Yellow Jackets

3' / 4 channel cable crossover

PGS 50 Amp subpanel

240V / 50A 1ø AC distro, Hubble to PBG or Twist

Powerstat Variac.jpg

Powerstat Variac

20 Amp/ 120- 125 volt

Music Stands

K&M desk stand rev .jpg

K&M Desk Stand

Universal table-top music stand for music, scripts, notes

Manhasset Music Stand.jpg

Manhasset Music Stand

27" - 48"

Manhasset Music Stand Light.jpg

Manhasset Music Stand Light

15 watt

Press Bridges / Splitters

RADIAL 56x0+2 Mass Splitter.jpg

RADIAL 56X0 2 WAY MASS SPLITTER

Radial 56X0 2 Way Mass Splitter

RADIAL 48x10 2 Way Mass Splitter.jpg

RADIAL 48X10 2 WAY MASS SPLITTER

48X10 2 Way Splitter

RADIAL OX8i.jpg

Radial OX8i 1X3 Mic Splitter

The OX8 is particularly well suited for live recording by delivering a transformer isolated audio signal path to the recording system while providing direct feeds to the front of house and monitor consoles. Transformer isolation eliminates hum and buzz cause by ground loops for ultra quiet results.

HSS PB8.jpg

HSS PB-8 Press Bridge

8 Output audio only press bridge

HSS 8x4.jpg

HSS 8x4

8 in, 4 out mic splitter

HSS PB20.jpg

HSS PB-20

20 output Audio only press bridge (AC or DC operation)

Opamp Labs VA-32:B.jpg

Opamp Labs VA-32/B

32 output Audio/Video press bridge (AC or DC operation)

RADIAL 8.OX.jpg

Radial 8.0X

8 channel 3 split mic/line splitter using D25 connector with 25ft tails

RTS MODEL 416.jpg

RTS 416

1 in, 6 out distribution amplifier

RTS Model 444.jpg

RTS 444

Dual channel buffer amp (-10 to +4)

Whirlwind Line Balancer:Splitter.jpg

Whirlwind Line Balancer/Splitter

1 in, 2 out line balancer / splitter

RTS TW-5W.jpg

RTS TW5W

1 in, 5 out PL splitter

Whirlwind Concert 52X3.jpg

Whirlwind Concert series W4 / MASS

52 X3 40 in, 12 return, stage box style splitter with 1 direct and 2 iso splits using MASS W4

Whirlwind CONCERT 52x3.jpg

Whirlwind Concert series W4 / Mass

52 X3 40 in, 12 return, stage box style splitter with 1 direct and 2 iso splits

Whirlwind W4 Fan Out.jpg

Whirlwind W4 Fan Out

40 out, 12 in fan out for Whirlwind Concert boxes

whirlwind trunk snake .jpg

Whirlwind W4 TRUNK

50ft or 100ft W4 trunk for Whirlwind Concert boxes

Power Amplifiers

QSC PLX3102.jpg

QSC PLX3102

550w per channel @ 8Ω, 2 channel

QSC 6.0II.jpg

QSC PL6.0II

1500w per channel @ 8Ω, 2 channel

QSC PL 4.0.jpg

QSC PL 4.0

900w per channel @ 8Ω, 2 channel

QSC CX168.jpg

QSC CX168

8 channel 120w per CH @ 8Ω, bridgeable

Perreaux 9000b rev.jpg

Perreaux 9000B

Studio Amplifier 300w @ 8Ω 2 channel

HSS XW15 4CH sm.jpg

HSS XW-15 4CH

XW-15 4CH

HSS XW15 2CH sm.jpg

HSS XW-15 2CH

Dual channel bi-amp, w/ preset QSC DSP-3 cards

Crown IT 4000 rev.jpg

Crown IT-4000

Dual channel 4000w amplifier with DSP processing

Bryston 4B ST.jpg

Bryston 4B ST

Studio amplifier 275w @ 8Ω 2 channel

Apogee AE5 Rack sm.jpg

Apogee AE5 Rack

Dual Channel bi-amp, w/processor for AE-5

Communications - Wired & Wireless Systems

RTS PS-20 power supply.jpg

RTS PS-20 Power Supply

  • Audio Linking, Intercom Channels Connections, Monitoring, Program Input, Selectable Mode Operation, Selectable Termination Impedance Status Indicators
RTS RMS300.jpg

RTS/Telex RMS-300

TW Intercom system user station, w/ speaker, mic, controls,

HME DX200.jpg

HME DX-200

2.4 GHz digitally encrypted wireless intercom w/ headset

HME BP-200 rev.jpg

HME BP-200

2.4 GHz beltpack for DX-200 system

RTS-TELEX BP-325 rev.jpg

RTS/Telex BP-325

Full featured belt pack

RTS-TELEX MCE325-MCS325 rev.jpg

RTS/Telex MCE325/MCS325

2 channel programmable directors station

RTS MRT327.jpg

RTS/Telex MRT327

Full featured rack mount speaker station

RTS PS15.jpg

RTS/Telex PS-15

Power supply - 15 Stations

RTS PS60.jpg

RTS/Telex PS-60

Power supply - 60 Stations

RTS SAP612 rev.jpg

RTS/Telex SAP612

Source assign matrix 6 x 12

RadioCom BTR-800.jpg

Telex BTR-800

2 channel dual listen UHF wireless intercom base station

RadioCom TR-825.jpg

Telex TR-825

2 channel UHF wireless beltpack w/ headset

Walkie Talkies

Motorola PMLN4606A rev.jpg

Motorola PMLN4606A

Surveillance kit

Motorola Headset.jpg

Motorola HMN9041A

Earpiece

Motorola headset.jpg

Motorola Headset

Lightweight single ear

Motorola P1225 rev.jpg

Motorola P1225

16 channel 5 watt VHF walkie talkie

IN-Ear Monitors, IFB, Translation, Tour Guide & Assistive Listening

Sennheiser ew300.jpg

SENNHEISER EW 300 TRANSMITTER

Transmitter for In ear stereo monitor (518-554 MHz)

listen LR 4200 rcvr.jpg

Listen LR 4200 Intelligent DSP RF Receiver

An exceptional listening experience in places where it’s difficult to hear, like: theaters, lecture halls, concert venues, houses of worship, and more.

PR-216.jpg

Comtek PR-216

Remote Program Monitoring, Personal Cueing, Wireless Tour Guide, Assistive Listening

NTC-102-300x300.jpg

Comtek NTC-102

Flexible neckloop transductor for use with all COMTEK personal receivers.

M-216.jpg

Comtek M-216

Remote Program Monitoring, Personal Cueing, Wireless Tour Guide, Assistive Listening

Phonak.jpg

Phonak Invisity single channel VHF in ear RF receiver

The invisity ear prompter by Phonak is the smallest in-ear RF receiver in the world and the perfect choice for presenters and performers who require crystal clear audio prompts.

BST-50b.jpg

Comtek BST-50B

Base station

COMTEK BST-25 rev.jpg

Comtek BST-25/216

Base station

Comtek M72.jpg

Comtek M-72 Wireless Transmitter

IFB transmitter (185.400 & 186.200 MHz)

COMTEK PR72b.jpg

Comtek PR-72B 2 CH

VHF pocket receiver

Lectrosonics IFB T1-R1A.jpg

Lectrosonics IFB T1 / R1A

Frequency agile UHF IFB Mic/Line/ClearCom/RTS (Block 21)

Listen LA-122.jpg

Listen LA-122

Remote antenna kit for Listen LT-800; includes coax cable

Listen LR-400-72.jpg

Listen LR-400-72

Assistive listening / translation receiver with earpiece (72 MHz)

Listen LR-500-072.jpg

Listen LR-500-72

Programmable assistive listening / translation receiver with earpiece (72 MHz)

Listen LR-600-216.jpg

Listen LR-600-216

Wireless speaker, requires Listen LT-800-216 transmitter (216 MHz)

Listen LT-700-072 rev.jpg

Listen LT-700-72

Tourguide transmitter for all Listen 72 MHz receivers with headset

listen lt-800-72.jpg

Listen LT-800-72

Transmitter for Listen receivers, 2 ch built in mixer (72 MHz)

Listen LT-800-072.jpg

Listen LT-800-216

Transmitter for Listen receivers, 2 ch built in mixer (216 MHz)

Sennheiser A5000-CP.jpg

Sennheiser A5000-CP

UHF Helical Antenna (450 - 560 MHz)

Sennheiser AC2.jpg

Sennheiser AC-2

EM series antenna combiner, 1 in 4 out

Sennheiser ew300 receiver.jpg

Sennheiser EW 300 Receiver

In ear stereo monitor (518-554 MHz) E5 or E3 earpieces available

Shure PA421A.jpg

Shure PA421A Antenna Combiners

Shure PA421A Antenna Combiners optimises RF management and reduces rack clutter for up to four PSM transmitters

Shure SE425-CL.jpg

Shure SE425-CL Earphones

Shure SE425 Sound Isolating Earphones - Dual High Definition MicroDrivers, Detachable cables.

Shure PSM 900.jpg

Shure PSM 900 Personal Monitor System

The Shure PSM 900 Wireless Personal Monitor System features a stereo bodypack receiver, 20 compatible frequencies per band, use AA batteries or the Shure SB900 lithium-ion battery.

SHURE PSM1000.jpg

Shure PSM 1000 Personal Monitor System

Shure PSM 1000 Wireless Personal Monitor System - dual channel transmitter, Network control via Ethernet connection, compatible with PSM900 systems

Shure P6HW.jpg

Shure P6HW

Hardwired in-ear monitor, stereo. E5 or E3 earpieces available

ENG / Field Production

Denecke TS-C.jpg

DENECKE TS-C

Compact Timecode Slate

Denecke TS-1.jpg

DENECKE TS-1

Time Code Slate

GOPRO rev.jpg

GOPRO Hero 3+

Go Pro Camera, accessories available, wifi controlable

Canon XL1-s.jpg

Canon XL1-s

3 CCD miniDV camcorder with Pixel Shift Technology, Optical Image Stabilizer, Analog I/O, IEEE 1394(FIREWIRE) I/O

Comtek M72.jpg

Comtek M-72

Wireless IFB transmitter

COMTEK PR72b.jpg

Comtek PR-72B

2 channel VHF pocket receiver

Denecke TS-3 sm.jpg

Denecke TS-2

Time code slate w/ jam sync

Fostex FR-2.jpg

Fostex FR-2

Compact Flash Recorder (2 ch), 24 bit/ 96 kHz

Far Outlet Model 250.jpg

Galaxy Far Outlet 2

300 watt DC to AC inverted power supply

Lectrosonics UCR411A-UM400A rev.jpg

Lectrosonics UCR411A/UM400A

UHF lav kit, frequency agile, DC capable receiver, ENG style (Block 21)

Korg MR-1000.jpg

Korg MR-1000

Portable DSD recorder. 2 channels. DSDIFF, DSF, and WSD (2.8224 MHz @ 1-bit or 5.6448 MHz @ 1-bit). multi-bit PCM formats (BWF or WAV) with resolutions up to 24-bit/192 kHz

Korg MR-1.jpg

Korg MR-1

Ultra compact DSD recorder. 20Gbyte internal hard drive, 6 hours of recording at the highest audio quality (1-bit 2.8 MHz stereo), or approximately thirty hours at CD quality

Marantz CDR-300.jpg

Marantz CDR-300

Portable cd recorder

MSE-1 rev.jpg

MSE MSE-1

"A-B" T power supply

PSC Boompole rev.jpg

PSC Boompole

Boom Pole, 12 FT

PSC PH48.jpg

PSC PH48

48V battery power supply

Shure FP-11.jpg

Shure FP-11

DC, in line amp

Shure FP-12.jpg

Shure FP-12

DC, line bridging headphone amp

imgres.jpg

Shure FP-24

DC, 2 in, stereo out mixer

imgres.jpg

Shure FP-33

DC, 3 in, stereo out mixer

Sony UWP.jpg

Sony UWP

UHF frequency agile camera mount RF lav kit (Block 30)

Tascam DA-P1.jpg

Tascam DA-P1

Portable DAT recorder

Vandenbergh VDBLCC.jpg

Van den Bergh VDBLCC

20 FT boom pole w/ coiled cable

Opamp Labs VA-32:B.jpg

Opamp Labs VA-32/B

32 output Audio/Video press bridge (AC or DC operation)

HSS PB8.jpg

HSS PB-8 Press bridge

8 out (AC operation only)

HSS PB20.jpg

HSS PB-20 Press bridge

20 output Audio only press bridge (AC or DC operation)

Sound Control

Vocal Booth to Go VB-73 8 Hole Sound Blanket.jpg

Sound Blankets - 8ft tall x 6.5ft wide - black with grommets

The Producer's Choice Sound Blankets are perfect for hanging in your recording studio space to block noise and positively dampen acoustics. The black color provides total darkness and controls the lighting, making the blankets invisible in the dark.

VB-72G Producers Choice Acoustic Blanket.jpg

Acoustic sound blanket - 8ft tall x 6.5ft wide, black and white sides

The Producer's Choice Sound Blankets are perfect for hanging in your recording studio space to block noise and positively accentuate acoustics. The black color provides total darkness and controls the lighting, making the blankets invisible in the dark. Or, use the white side to brighten or lighten a room or for special lighting conditions.

Clearsonic A5-5.jpg

Clearsonic CSP A5-5 Drum Shield

Clearsonic CSP A5-5 Drum Shield stands 5.5 ft.

GOBO half size.jpg

HSS acoustic Gobo / studio baffle

Studio Baffle 4ft wide x 3.5ft tall

GOBO.jpg

HSS Acoustic Gobo / full sized Studio sound baffle with window

Studio Baffle 8ft tall x 4ft wide with window

Voiceover Booth Corner Unit.jpg

Portable Voice Over Booth - Corner Unit

portable V/O booth, Mixing booth

Whisper Room Soundproof Booth.jpg

Whisper Room - Semi-Portable Sound Booth

Remote Voice Over Room, mixing room, quiet test room

Field Equipment

IntelliStage platform.jpg

IntelliStage Portable riser System

Lightweight collapsible riser - modular system for stage, drums, choir etc. 4 each 4X4 foot squares.. make 4X 16 foot, 8X8 foot platforms etc. 8 inches high

CANARE fiber optic reel with cable.jpg

CANARE FIBER OPTIC CABLE

Canare Fiber Optic Cable on Reel

steel deck.jpg

Steel Deck Platform

48" x 48" x 24 - 48"

New Haven Truck strap

10' truck strap

New Haven Moving Pad.jpg

New Haven Moving pad

6' x 6' packing blanket

Gradlight worklight.jpg

Grandlight Work light

400 watt, halogen

Tensor Desk Lamp.jpg

Tensor Desk lamp

15 watt lamp

Mole Richardson sandbag.jpg

Mole Sandbag

Sandbag

Tarps.jpg

HSS Tarp

Misc sizes

GOBO.jpg

HSS large studio Baffle / Gobo

Studio Baffle 8' x 4', or 8' x 4' w/ window

GOBO half size.jpg

HSS Studio Baffle / Gobo

Studio Baffle / Gobo 4' x 3.5'

MCD Podium 3.jpg

MCD Acrylic Lectern

Clear Acrylic / Plexiglass Lectern. Model B - Top Platform: 18" x 26", Bottom Base: 18" x 22", Height 46"

Handiramp AMF6.jpg

Handiramp AMF 6

Van Loading ramp

open Monday - Friday, 9am - 5pm

© 2016 Hollywood Sound Systems