The AKG C12 VR Twin Large-Diaphragm Tube Condenser Microphone is the reference multi-pattern tube studio condenser mic with nine polar patterns selectable by remote control – designed for lead vocals, brass instruments, and electric guitars.

The AKG C409 is a hypercardioid electret condenser microphone on a flexible gooseneck that clips onto the bell of instruments such as trumpets or saxophones and may also be used as a miniature drum mic – frequency response is 20Hz ~ 20kHz.

The versatile AKG C414EB classic large diaphragm multi-pattern condenser microphone is an excellent all-purpose mic for vocals and acoustic instruments.

The AKG C414 XLS multi-pattern condenser microphone features nine selectable polar patterns and is a versatile choice for vocals and instruments in studio and onstage.

The AKG C414 B-ULS Condenser Microphone features four selectable patterns and is the classic large-diaphragm reference microphone of choice for vocals and percussions or any sound sources with complex waveforms.

The AKG C420 Headset Condenser Microphone provides full frequency-response and is the perfect choice for vocal applications that require hands-free performance capabilities.

The AKG C426B Stereo Condenser Microphone is designed for coincident recording making it a perfect choice for single-point stereo recording applications such as drum overheads or staged vocal recordings.

The AKG C451 and AKG C452 Condenser Microphones are an optimal choice anywhere excellent sound recording is required and feature a choice of omni or cardioid heads. The C452 requires p48.

The AKG C460 ULS Cardioid Condenser Microphone delivers optimal sound in all types of studio recording applications with choice of omni, cardioid, or hypercardioid heads.

The Altec M11 Microphone System featuring the Altec 21B Miniature Condenser Microphone on the 150A Base is a vintage omnidirectional tube condenser mic also referred to as the “coke-bottle” because of its shape.

The Altec M20 “Lipstik” Microphone is a vintage omnidirectional vacuum tube condenser microphone mounted in a rugged case no larger than a lipstick and originally promoted to be especially ideal for TV broadcast interviews.

The vintage American D-22 Omni-Directional Dynamic Microphone was introduced in the 1950s as a sleek-looking alternative to bulkier mics of the day and is used in studio recording, public address, and TV broadcast applications.

The Audio-Technica AT4033 Cardioid Condenser Microphone features a large diaphragm and is a versatile studio classic - especially great with vocals and acoustic instruments.

The Audio-Technica AT4050 Multi-Pattern Dual-Diaphragm Condenser Microphone is ideal for a variety of sound applications such as studio recording and live production.

The Audio-Technica AT4051Condenser Cardioid Microphone is an optimal choice anywhere excellent sound recording is required.

The lightweight Audio-Technica AT815ST Stereo Shotgun Condenser Microphone is specially engineered for camera mount use and is excellent as a boom mic or audience mic.

The Audio-Technica AT831R is a Miniature Cardioid Condenser Lavalier Microphone optimally used as an interview mic or an acoustic instrument mic.

The lightweight Audio-Technica AT835 Stereo Shotgun Condenser Microphone is designed for camera mount use or is excellent as a boom mic or audience mic.

The versatile Audio-Technica U835R Miniature Cardioid Condenser Microphone features a steel hanger for overhead installation making it perfect for orchestra or choir reinforcement and recording.

The Audio-Technica AT857 14" Cardioid Condenser Gooseneck Microphone is designed for professional quality recording and broadcasting applications and our podium pak includes (2) cardioid gooseneck mics w/ flanges.

The Audio-Technica AT895 Adaptive-Array Condenser Shotgun Microphone functions equally well for handheld interviews or long-range sound pickup in the field or in the studio and includes a Rycote Windshield.

The Audix CX112B Large Diaphragm Cardioid Condenser Studio Microphone performs well in a variety of studio and live recording applications such as vocals, choir, percussion and electric guitars.

The Audix M1255 Miniature Condenser Microphone is uniquely designed for a wide variety of studio and live broadcast applications such as a hanging choir mic and for conferencing or location recording - popularly used with the Audix Microboom found on our Microphone Accessories and Direct Boxes rental page.

The Audix SCX25A Large-Diaphragm Studio Condenser Microphone features a 1" cardioid condenser and is ideal for recording acoustic instruments such as pianos or choirs and orchestra or symphony sections — available as matched pairs.

The vintage Brüel & Kjær Type 4006 Omni Condenser Microphone – also known as the B&K 4006 Condenser Mic – is a 16mm diameter pre-polarized condenser microphone specially designed for powering from standard P48 Phantom supplies and for use in low-level applications making it ideal for general recordings of soloists and ensembles.

The vintage Brüel & Kjær Type 4007 Phantom Powered Omnidirectional Microphone – also known as the B&K 4007 Microphone – is essentially a 12mm diameter version of the B&K 4006 and is designed for handling very high SPL without distortion – with peak levels up to 168dB before clipping – when recording percussion or plucked instruments.

The Brüel & Kjær Type 4011 Cardioid Omnidirectional Small-Diaphragm Condenser Microphone – also known as the B&K Type 4011 Microphone – is able to handle extremely high SPL without distortion and noise over a wide frequency range making it ideal for a variety of vocal and instrument recording applications.

The Barcus Berry Pro 4000+ is a Piano and Harp Planar Wave System with a unique sensor technology that reproduces full frequency range with perfect amplitude balance, superior feedback rejection, and complete isolation of ambient sounds – even keyboard and pedal noise. It provides a tool-free method for attachment to either side of the soundboard – with features that include 1/4" monitor output with variable level, balanced XLR main out with ground lift, and an output pad switch.

The vintage Beyerdynamic MC 833 Stereo Condenser Microphone is a superb general-purpose stereo condenser mic that offers true XY or MS recording.

The Beyerdynamic MM-1 Electret Condenser Measurement Microphone –featuring an omnidirectional polar pattern and calibrated open circuit voltage – is used to measure linear frequency response and sound pressure levels.

Blue Microphones Blueberry Cardioid Condenser Microphone is a pressure-gradient condenser mic that is suited to a variety of applications from vocals and acoustic string instruments to bass recording – features a cardioid polar pattern and frequency response of 20Hz - 20kHz.

The Church U47 "Cinemic" Tube Condenser Microphone is the rare large diaphragm condenser vacuum tube mic built by Stanley Church at MGM using U47 components – it is a wondrous mic with the classic "cinemic" U47 sound for applications such as spoken word, instruments, and vocals.

The Countryman E6 Earset Condenser Omnidirectional Microphone is a popular “headset” style microphone for a variety of live performance applications such as vocals, theater productions, & houses of worship.

The Countryman Isomax Headset Cardioid Condenser Microphone for speech and vocal performances features a flexible boom for easy positioning and comfortably stays securely in place, even during dance-oriented performances.

The Countryman B3 Omnidirectional Lavalier Condenser Microphone is a miniature lavalier especially designed for public speaking, interviews, stage performances and film shoots; easy to hide, moisture resistant.

The Crown Audio PCC160 is a professional boundary layer microphone and an industry standard stage floor microphone designed for accurate pick up and signal reproduction on stages, conference tables, lecterns.

The Crown PZM Boundary Microphone is a pressure zone boundary mic designed for professional recording applications as varied as full orchestras to individual instruments to board room conference tables.

The Crown Audio SASS-P Stereo PZM Condenser Microphone features 2 Pressure Zone Microphones creating well-focused stereo imaging without a middle spectrum “gap”; ideal for classical-music recording, concerts, crowds, and theater.

The DPA 3523 Stereo Microphone Kit includes a matched pair of DPA 4023 Cardioid Microphones with assorted mounting options and is ideal for piano or percussion instruments.

The DPA 4061 Omnidirectional Lavalier Microphone is typically used with wireless systems for theater and television productions; modular adapters accommodate most wireless systems or can be hardwired.

The DPA d:fine 4066F Omnidirectional Headset Microphone is a popular choice for broadcasters and live stage performances; modular adapters accommodate most pro wireless systems, fully adjustable and humidity-resistant.

The DPA Core 4088 Directional Headset Microphone with MicroDot Connector in medium/beige — designed for live music and theater or broadcast and house of worship applications — delivers a 14 dB increase in both THD (total harmonic distortion) and dynamic range which improves clarity and openness. The headset cardioid microphone is a dual-ear design that can be worn on either ear — and to combat humidity and other issues in performance settings it features water-repellant nano-coating of the cover and housing as well as hermetic sealing of the amplifier at the mic’s core with dual gold plating of the diaphragm. Pristine audio quality 20Hz-20kHz, IP 58 Certified.

The DPA d:vote CORE 4099 Instrument Microphone was designed to capture great sound and still be diminutive in size, featuring a supercardioid pattern, and available with many clip and mounting options to eliminate the need for mic stands and boom arms.

The DPA d:vote™ Core 4099-P Stereo Instrument Microphone System for piano makes miking grand pianos easy and gentle on the instrument — providing clean sound with high-gain-before-feedback — in a kit that includes two high SPL DPA Core 4099 Instrument Microphones with two PC4099 Clips for piano — along with two MicroDot Extension Cables and two MicroDot to 3-pin XLR Adapters with belt clips.

The DPA D:FINE 4288 CORE Directional Flex Headset Microphone offers pristine audio quality with minimal visual impact and high SPL capabilities; the addition of CORE by DPA boosts mic performance, minimizes distortion and expands dynamic range.

The DPA 4488 CORE Directional Headset Microphone is a lightweight cardioid mic — perfect for theatre or live events and broadcast or houses of worship — with an adjustable one-size-fits-all headset mechanism and advanced DPA 3-point ear grips for accurate positioning and comfort — and with DPA CORE technology giving it an IP58-rating against dust and water — frequency range of 20 Hz - 20 kHz — handles up to 144dB.

The telescoping bar of the Earthworks PM40 PianoMic System allows for piano miking without stands or booms and features two Random Incidence Omnidirectional 40kHz HD Microphones with a frequency response of 9 Hz to 40kHz.

The Earthworks QTC50 Omnidirectional Microphone is a very low noise mic and an excellent choice for drum overheads and wind and percussion instruments; a frequency response of 3Hz to 50kHz.

The Earthworks TC30K Omni Microphone is designed for recording loud sources such as drums and percussion or amplified instruments and loud sound effects; ideal for a wide variety of instruments and vocals; frequency response 9Hz to 30kHz.

The M-Audio Luna Cardioid Large-Diaphragm Condenser Microphone features a transformer-coupled output and suits most normal studio and vocal applications delivering balance with minimal noise.

The M-Audio Solaris Large-Diaphragm FET Condenser Microphone features 3 polar patterns and is suited to most studio applications particularly spoken word recording, delivering good definition while minimizing sibilance.

The M-Audio Sputnik Vacuum Tube Condenser Microphone features a multi-pattern large-diaphragm and delivers the vivid classic sound of a vintage mic; 3 selectable polar patterns, switchable 10dB pad and 80Hz high-pass filter.

The Neumann GFM132 Boundary Microphone features uniform frequency response for all angles of incidence and presence even when recording distant sound sources making it a problem-solver for special recording applications.

The Neumann KM56 Miniature Multi-Pattern Tube Condenser Microphone features a rotating pattern selector at the base and is ideal for recording vocals as well as overheads and acoustic instruments.

The vintage Neumann KM 64 Miniature Condenser Tube Microphone was originally designed for unobtrusive use in film and television studios but its ability to deliver a very transparent sound makes it an excellent choice for recording acoustic instruments.

The vintage Neumann KM 84 Cardioid Condenser Microphone was the first phantom-powered microphone and specially designed to be unobtrusive; remains a favorite mic for all studio applications, particularly for drum overheads.

The vintage Neumann KM 86 Multi-Pattern Condenser Microphone uses 2 KK84 capsules mounted back to back and offers Cardioid, Omnidirectional, or figure-of-8 polar patterns.

The vintage Neumann KM 88 Multi-Pattern Condenser Microphone was designed to provide multi-patterns in a diminutive size without sacrificing the ability to produce an especially brilliant sound quality.

The Neumann KM 184 Condenser Microphone has a 20 Hz to 20 kHz frequency response and provides flexibility for use in a wide range of recording applications, particularly for high volume situations.

The Neumann KMR 81i Shotgun Microphone was specifically designed for broadcast and film applications but is also well suited to record individual instruments or sections of an orchestra.

The Neumann KMR 82i Long Shotgun Microphone is designed for multiple recording applications where long reach and super-directional features are crucial, such as in television and theater production, broadcast news, sports, and orchestra recording.

The Neumann KMS 105 Condenser Vocal Microphone is uniquely designed to provide a high vocal sound quality in live stage settings particularly with jazz or acoustic styles where the vocalist is highlighted.

The Neumann KU 100 Binaural Dummy Head Microphone is a system that resembles the human head and implements two microphone capsules in the ears in order to replicate human hearing; its purpose is to achieve authentic true-to-life stereo imagery and field perception.

The Neumann RSM 190 Condenser Shotgun Stereo Microphone features a high directivity index for stereo sound applications and is ideal for recording environments with high ambient noise levels such as recording dialogue at a news gathering outdoors. "MS" or "XY" pattern.

The Neumann TLM 103 Large Diaphragm Cardioid Condenser Microphone features an acoustically well-balanced capsule that is derived from the legendary U 87 and provides ideal sound quality in practically all recording applications.

The Neumann TLM 170 R Condenser Microphone features a large diaphragm with multiple patterns and delivers a very transparent sound making it ideal for vocal applications such as an announcers mic or close miking of instruments.

The Neumann TLM 193 Large Diaphragm Cardioid Condenser Microphone features a large dynamic range and wide frequency response and is able to reproduce subtle nuances of vocals and music performances without coloration.

The Neumann U 47 FET Cardioid Condenser Microphone is a versatile studio microphone created in the tradition of the legendary U 47 but combining its acoustic properties with the most up-to-date amplifier technology; a great mic for soloists and for recording nearly any instrument.

The Neumann U 87 and U 87A Multi-Pattern Condenser Microphones each feature a large diaphragm and 3 polar patterns and are ideally used to record orchestras, single instruments, vocals and for spoken word.

The Neumann U 89 i Large Diaphragm Condenser Microphone is similar in appearance to the U 87 but features five instead of three directional characteristics and a higher maximum SPL; a studio microphone for universal applications.

The Que Audio Q 210 Hybrid Shotgun Microphone Kit provides accessories for run and gun shooting and location booming with the flexibility to easily switch between prosumer gear that utilize a 3.5mm mic input and pro video cameras mixers with XLR connectors.

The RODE NT-1 1” Cardioid Condenser Microphone features the HF6 capsule and is designed to provide detailed midrange response with smooth highs and warm bass; can operate from phantom power in the 24V to 48V range.

The Rode NT1000 1” Studio Condenser Microphone features the HF2 capsule and cardioid polar pattern with full frequency response and delivers exceptional performance when recording both vocals and instruments such as grand piano and drum overheads.

The Sanken COS-11 Omnidirectional Lavalier Microphone features a maximum SPL rating of 136dB with a wide frequency response and is ideal for recording vocals and instruments in professional broadcast or theatrical and performance applications; various colors and accessories.

The Sanken CS-3E Shotgun Microphone features high super-cardioid directivity and is an exceptional location and studio shotgun mic for both camera or boom mounting applications; with Rycote windshield.

The Sanken CUB-01GY Boundary Microphone features a square-shaped cardioid capsule that enlarges the area of the diaphragm resulting in a full-bodied sound quality synonymous with large diaphragm condenser mics; ideal for recording applications such as conferences and boardrooms, news broadcasts, films.

The Schertler DYN-P-P48 fully balanced active dynamic contact microphone is specially designed to reproduce the wide frequency range and complex sound qualities of the piano; suitable for use with both upright and grand pianos.

The Schoeps Colette Series Stereo Set includes 2 matched Schoeps CMC6-U analog mic amplifiers, 2 Schoeps MK41 Capsules, SG 20 stand adapters, and windscreens; well-known for flat frequency response, extremely low noise, and highly consistent directionality through its frequency range - preferred for music and speech, and film sound recording.

Condenser, omnidirectional or wide cardioid, 48v

Condenser, cardioid or hypercardioid, 48v

The Schoeps BLM 3 Boundary Layer Microphone captures audio in critical applications such as film and stage sound pickup recording; also suited for orchestra pits and special public address applications; features high signal-to-noise ratio and excellent reproduction of low frequencies.

One of the smallest microphones when it was introduced – the Schoeps /Telefunken ELA M 201 features a 2-way capsule system – a smaller one with omni characteristic and a larger one with a figure-8 pattern.

The Sennheiser MKE2 Omnidirectional Clip-On Lavalier Microphone features a wide frequency and high sensitivity response and is a top choice to use with wireless microphone systems for stage performances, video and film shoots.

The classic Sennheiser MKE 40 Cardioid Clip-On Lavalier Microphone features pronounced directivity with excellent speech intelligibility and high feedback rejection and is ideal for both vocal and instrument recording applications; outstanding bass reproduction.

The Sennheiser MKH 40 Cardioid Condenser Microphone features extremely low distortion with exceptionally balanced sound and is ideal for instrumental groups and speech applications; a versatile main microphone for acoustically imperfect rooms, switchable roll-off filter compensates for proximity effects.

The Sennheiser MKH 50 Shotgun Condenser Microphone features a super-cardioid pick-up pattern and switchable roll-off filter and is a short shotgun designed for spot capturing in recording and sound reinforcement applications such as vocals and instruments.

The Sennheiser MKH 60 Condenser Shotgun Microphone is highly sensitive with a very narrow pattern; the frequency response is 50 Hz to 20 kHz. Requires P48.

The Sennheiser MKH-70 lightweight long shotgun microphone provides excellent directivity and is particularly suited to recording applications with high background noise and distance mic placement; features very low inherent self-noise, switchable pre-attenuation; frequency independent directivity prevents sound coloration from off-axis sound sources.

The Sennheiser MKH416 is a short shotgun condenser microphone with excellent directivity in a compact design, featuring high consonant articulation and feedback rejection; ideal for general use in film, radio and television, especially for outdoor broadcast environments. Super-cardioid/lobar polar pattern, very low inherent self-noise, 48v.

The Sennheiser MKH815T is a 12V T-powered transformerless RF condenser microphone with a very narrow pattern – great for situations where placing a mic near actors or music is not possible. The low-impedance capsule design makes it virtually immune to high humidity and condensation. It has a MX SPL of 128dB.

Sennheiser MKH816T is a transistorized RF condenser mic with excellent directivity and high consonant articulation and feedback rejection – ideal for film, radio and TV – especially for recording applications outdoors – as a boom, fishpole, and camera mounted.

The Sennheiser MKH 8050 is a super-cardioid condenser microphone with a balanced frequency response within the pick-up pattern for absolute acoustical separation of instruments - making it perfect for recording soloists, large instruments such as grand pianos, and orchestras.

The Sennheiser MKH-8090 is a high-end RF condenser microphone with a wide cardioid pick-up pattern and features low inherent self-noise, handles high sound pressure levels without distortion, and has a high resistance to adverse climatic conditions; wide frequency response 30 to 50.000 Hz.

The Shure Beta 87A Condenser Microphone features high SPL capability and controlled low-frequency roll-off to compensate for proximity effect - an extremely popular vocal microphone that provides warm, accurate sound.

The Shure Beta 91 is a detachable-capsule boundary microphone intended for use inside a kick drum; it uses mic capsules from the Beta 98 - the RPM108 cardioid capsule provides a half-cardioid response in the Beta 91.

The Shure Beta 98D Miniature Condenser Microphone is a supercardioid snare and tom mic that delivers a tailored frequency response and high gain-before-feedback; consists of an A98 Drum Mount; frequency range 20Hz to 20kHz.

The Shure KSM9 Cardioid Condenser Microphone features a dual diaphragm and switchable polar patterns - supercardioid and cardioid - to deliver precise vocal reproduction; full-range frequency response (50Hz to 20kHz).

The Shure KSM32 Cardioid Large Diaphragm Condenser Microphone features an extended frequency response and smooth neutral sound reproduction with full character for highly critical studio recording and live sound applications.

The Shure KSM44A is a premium large-diaphragm condenser microphone with multiple polar pattern options (cardioid, omnidirectional, bidirectional) and features an externally biased dual 1-inch diaphragm and extensive internal pop filtering.

The Shure KSM137 Cardioid Condenser Microphone features a single-cardioid polar pattern and can withstand extremely high sound pressure levels; its low self-noise and extended frequency response make it ideal for recording instruments ranging from percussion to wind, strings to bass, and piano to guitar.

The Shure MOTIV MV88 Digital Stereo Condenser Microphone provides exceptionally high quality stereo audio by plugging the mic directly into your iOS device via Lightning connector – features include a rotating hinged design for adjusting recording angles, and multiple capsules that allow you to record in variable cardioid, figure-8, and mid-side stereo – plus additional options accessible with the free ShurePlus MOTIV iOS app.

The Shure MX412D/C Desktop-Mounted 12" Cardioid Gooseneck Condenser Microphone features an attached XLR preamp, shock and flange mount, and is designed for easy replacement; available in cardioid, super-cardioid, and omnidirectional polar patterns, the interchangeable cartridges offer wide frequency response and accurate sound reproduction for a wide variety of applications.

The Shure SM31FH-TQG Fitness Headset Cardoid Condenser Microphone is especially designed for yoga and fitness or dance and aerobics instructors — with features such as an integrated moisture-repelling hydrophobic fabric to protect the mic capsule from sweat and humidity — flexible gooseneck design for optimal adjustment — wearable wireframe headset for a secure comfortable fit — tailored frequency response refined for crisp clear vocal reproduction — and wired with a TA4F connector.

The Shure SM81 is a high-quality, unidirectional condenser microphone featuring a wide frequency response, low noise characteristics, and low RF susceptibility; a standard for recording acoustic instruments such as guitar, piano, and cymbals, and designed for studio recording, broadcasting, and sound reinforcement.

The Shure SM-98-A Miniature Condenser Microphone features a cardioid pickup pattern with smooth wide frequency response from 40-20,000 Hz and is designed for wired applications; well-suited for a musical instrument pickup, for example, a particular instrument in an ensemble or orchestra.

The Shure WB98H/C is a premium cardioid condenser instrument microphone that clamps onto the bell of wind instruments or onto the rim of percussion instruments - features high-gain-before-feedback and rejection of unwanted noise, tailored frequency response for studio quality, and a wide dynamic range for high-SPL.

The Sony C-37A is a multi-pattern tube condenser microphone featuring an innovative mechanical control behind the capsule for polar pattern adjustment and multiple EQ settings on the power supply; the C-37A remains a highly revered microphone in recording studios worldwide for a variety of recording applications.

The Sony C38B is a large-diaphragm condenser studio microphone with dual switchable omnidirectional and unidirectional polar patterns - ideal for vocal and instrument recording and particularly adept at handling loud instruments such as percussion and wind instruments.

The Sony C48 Dual Diaphragm Condenser Microphone features three directivity options, 2-way power capability, a highly sensitive capsule, and FET preamplifier for the most exacting recording vocal or instrument applications.

The legendary Sony ECM-50 was Sony's first lavalier microphone - long-considered a broadcast standard - featuring omni-directional characteristics with wide 40-14,000 Hz frequency range and is perfectly suited for a wide range of recording applications.

The Sony ECM-51 is a vintage mic - also known as the "Bob Barker" or "Price is Right" mic; this rental mic is for use as a prop only. Interested in a vintage mic? - give us a call or take a look at the Les F. Harrison Vintage Mic Collection.

The Soundelux ELUX 47C is a large diaphragm cardioid tube mic that is comparable to the Neumann U47 tube mic; frequency range: 30Hz -16kHz,+/-2dB.

The Soundelux ELUX 251 is a large diaphragm cardioid tube microphone that recreates the sonic quality of the Telefunken ELA M251 - featuring omni, cardioid, and figure-8 patterns switchable from the mic; delivers high frequency response; widely used for vocals and instruments ranging from drums to pianos.

The Soundelux U195 is a large diaphragm cardioid FET microphone, comparable to the Neuman U87 FET.